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THE WORLD BROKE IN TWO

Name: THE WORLD BROKE IN TWO
Author: Bill Goldstein
ISBN: 978-0-8050-9402-2

VIRGINIA WOOLF, T.S. ELIOT, D.H. LAWRENCE, E. M. FORSTER AND THE YEAR THAT CHANGED LITERATURE

by Bill Goldstein ‧ RELEASE DATE: Aug. 15, 2017

An engaging, lightly worn literary study, of a piece with Hugh Kenner’s The Pound Era (1971) in divining the origins of the...

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A group biography of four writers who are held as standard-bearers for a new movement in 20th-century literature.

Historical periods rarely break into neat divisions, but Goldstein, the founding editor of the New York Times book website and current critic for NBC’s Weekend Today in New York, makes a solid case for 1922 as the climacteric in which the modern era began—modern, that is to say, in the sense of literary and artistic modernism. His four cases in point—Virginia Woolf, T.S. Eliot, E.M. Forster, and D.H. Lawrence—produced significant, even definitive work that year. Perhaps most significantly, Eliot published The Waste Land, forever altering the poetic landscape by showing that nightmare and saga could be brought to bear on the neurasthenic postwar present. Not that Eliot was the nicest of guys, and perhaps a certain meanness of spirit defines modernism as much as any literary trope. As Goldstein writes, “Eliot often dealt in very narrow, very selective truth. Many of those who knew Eliot well…did not trust him.” Though 1922 was also the year in which the much-admired Marcel Proust died, Woolf took her cues from James Joyce and took as a challenge the need to “confront and pin down on paper the texture and vitality of a new landscape of the mind.” Interestingly, Goldstein traces her evolution as having been sparked by a kind of imagined writer’s block that led her to yield to what she called the “common sense of readers, uncorrupted with literary prejudice,” and began to produce inventive, experimental books in a challenge that she trusted those readers to accept. Goldstein writes assuredly and well of the work of his chosen four exemplars; though Lawrence is barely read these days, the others still hold up, and he brings fresh eyes to all of them.

An engaging, lightly worn literary study, of a piece with Hugh Kenner’s The Pound Era (1971) in divining the origins of the modern.

Pub Date: Aug. 15, 2017

ISBN: 978-0-8050-9402-2

Page Count: 368

Publisher: Henry Holt

Review Posted Online: April 30, 2017

Kirkus Reviews Issue: May 15, 2017

Categories:

BIOGRAPHY & MEMOIR | GENERAL BIOGRAPHY & MEMOIR

- PROFILES
Bill Goldstein

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006

Well-told and admonitory.

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Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

Categories:

GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | BUSINESS

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NIGHT

by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

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Elie Wiesel spent his early years in a small Transylvanian town as one of four children.

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.