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THE PUSHCART PRIZE XLIX

BEST OF THE SMALL PRESSES 2025 EDITION

As ever, an invaluable snapshot of the small-press scene.

The famed literary annual stares 50 in the face.

The Pushcart anthology has always been admirably open to comers from all backgrounds, and if more of the contributors here are connected to creative writing departments than not, that’s just the way of the writing world these days. A noteworthy exception, Ann Chinnis—an emergency physician—turns in a richly metaphorical poem encouraging young women to “Ignore [their] brother’s laughter / Then go find a pony.” The late Charles Simic knew where he was going, hoping, in a short lyric, “To place one last chip / On this dark night’s / Spinning roulette wheel.” Death is a constant preoccupation of many writers here, as when Nishanth Injam delivers an affecting portrait of a mother, gifted at finding lost things, who leaves her child at a loss for direction when she dies: “Lost somewhere in her trachea: a phrase that would tell me how to live this life.” On matters of life and death, two pieces are especially perceptive. One, a brilliant essay in the form of a set of definitions, finds Abby Manzella writing of the demise of a Pennsylvania coal town, while in another essay Leslie Jill Patterson hauntingly describes the all-too-common American way of death by assault rifle, with bullets that “broke all the bones in the middle of her face, shredded her brain, tore through her abdomen, collapsed her right lung, and splintered her spinal cord.” Another highlight of many comes when the elegant Joyce Carol Oates swears like a stevedore as she peeks into a Carveresque working-class home: “Mick had a temper quick to flare up as a struck match, can’t blame Mick on his feet eight hours of the Goddamned day, if overtime as many as ten, twelve fuckin hours at a shit-job he hated where he had to wear a fuckin olive-gray uniform like a fuckin janitor.”

As ever, an invaluable snapshot of the small-press scene.

Pub Date: Dec. 3, 2024

ISBN: 9798985469752

Page Count: 560

Publisher: Pushcart

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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THREE DAYS IN JUNE

Sweet, sharp, and satisfying.

Their daughter’s wedding stirs up uncomfortable memories for a divorced couple.

The day before the ceremony, the bride’s mother, Gail Baines, second in command at the Ashton School in Baltimore, learns that not only has she been passed over to replace the retiring headmistress, but the new recruit is bringing her deputy with her. The lack of people skills that have cost Gail this promotion are evident even in that initial scene; she’s a classic cranky Tyler protagonist, given to blurting out her opinions with little consideration for others’ feelings. Her first-person narration also reveals her to be touchingly vulnerable, convinced that daughter Debbie, prettier and more polished than she, will inevitably prefer husband-to-be Kenneth’s overbearing, better-off parents. Although her divorce from Max was amicable, Gail considers him a bit of a slacker, and isn’t best pleased when he turns up with a rescue cat in tow and says he has to stay with her because Kenneth is horribly allergic. A startling revelation from Debbie, fresh from her pre-wedding “Day of Beauty,” immediately divides the exes, who have very different opinions about how their daughter should handle this crisis. It also leads to Gail’s revelation of the infidelity that led to their divorce, though not in the way readers might imagine. Laid-back Max is the only fully fleshed character here other than Gail, and the novel is very short, but Tyler’s touch is as delicate, her empathy for human beings and all their quirks as evident in her 25th work of fiction as it was in her first, published an astonishing 60 years ago. Gail’s acerbic observations about the wedding and all its participants, her wistful memories of her odd-couple romance with Max, and her account of their enforced intimacy over the three days surrounding the wedding alternate to poignant effect. The closing pages offer a happy ending that feels true to the characters and utterly deserved.

Sweet, sharp, and satisfying.

Pub Date: Feb. 11, 2025

ISBN: 9780593803486

Page Count: 176

Publisher: Knopf

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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