A fascinating romp through evolutionary history.
A delightful examination of teeth throughout history.
Vertebrate zoologist Schutt, a research associate at the American Museum of Natural History and the author of Pump and Cannibalism, teams with illustrator Wynne to create a lively, deeply informed investigation of the origin, development, and significance of teeth. “The appearance of teeth, around five hundred million years ago, and the serious remodeling that occurred after that enabled myriad forms of vertebrates to obtain and process food in pretty much every conceivable environment,” writes the author, as well as use them as defensive weapons and tools. Drawing on the findings of archaeologists, anthropologists, paleontologists, dentists, and scores of other researchers, Schutt highlights the teeth of many particular species. Adaptations of vampire bat teeth strike him as particularly spectacular, since bats need a bite strong enough to draw blood (which they lap up) but not painful enough to cause their prey to flee. The evolution of high-crowned teeth that continue to grow over an animal’s life span enabled horses to survive as soft-leaved forests changed to abrasive grasslands. Tusks are teeth used not for chewing, but as digging or scraping tools and, in some species, for visual display. Schutt considers the fangs of a variety of venomous snakes and venomous fish. Of these, the stonefish is the most lethal, administering its venom not through a bite, but by 13 “stiff, supersharp dorsal spines.” The author patiently explains what evolution means, with close attention to the initial appearance of jaws, whose function “was not to grasp and bite but to increase the efficiency of respiration by opening and closing the mouth.” Schutt’s purview is wide ranging and his curiosity insatiable; he wonders, for example, Why have toothless vertebrates evolved from ancestors with teeth? Were George Washington’s dentures really wooden? How have we come to have a tooth fairy?
A fascinating romp through evolutionary history.Pub Date: Aug. 13, 2024
ISBN: 9781643751788
Page Count: 320
Publisher: Algonquin
Review Posted Online: May 24, 2024
Kirkus Reviews Issue: July 1, 2024
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
BOOK REVIEW
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Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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