by Bill Schutt and J.R. Finch ‧ RELEASE DATE: Aug. 6, 2019
Murkier than squid ink and not as tasty.
Man versus squid in a post–World War 2 mashup.
Cryptozoologist R.J. MacCready has seen that red gunk before (in The Himalayan Codex, 2017), and he knows something about its properties: It can accelerate evolution, support health and recovery, and possibly even increase intelligence. Finding it in the caldera lagoon of Santorini in the Mediterranean is a little surprising, as it was last seen in the Nepalese mountains, but MacCready, Jacques Cousteau of scuba fame, and MacCready's "spooky" partner, Yanni Thorne, who can communicate with animals, are definitely the team to investigate this new manifestation. But there's a lot of competition for the miraculous goop: The Russians have caught a sniff of the substance, and Nora Nesbit, a rival researcher with ties to Gen. Douglas MacArthur, arrives to steal the thunder if she can. But the biggest competition comes from the creatures that flourish in the waters there. These are supersmart cephalopods, never specifically described as squid or octopus or cuttlefish, but eventually the text settles on "kraken," are able to communicate and plan coordinated actions, distinguish between good and not-so-good groups of people, and defend their territory. The red goop may have contributed to their evolutionary success, and in a subplot, the prehistory of the Mediterranean basin and the development of their culture are intertwined, providing a somewhat distracting quasi-scientific rationale for their success. While the U.S. factions struggle with each other, and both with the Russians, all three must contend with the cephalopods, who generally seem the most honorable and likable of the sides. Recurring characters MacCready and Yanni are unconvincing, and overall the whole enterprise is confusingly plotted and carelessly presented. It's too bad—smart squids, and especially octopuses, are rising stars in our appreciation of the natural world, and a controlled and affecting narrative featuring cephalopods would be a treat, but this isn't it.
Murkier than squid ink and not as tasty.Pub Date: Aug. 6, 2019
ISBN: 978-0-06-283547-5
Page Count: 432
Publisher: Morrow/HarperCollins
Review Posted Online: July 14, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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by Bill Schutt
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by Bill Schutt ; illustrated by Patricia J. Wynne
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by Bill Schutt illustrated by Patricia J. Wynne
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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