Not a great addition to the canon of baseball literature, but not a swing and a miss either.
An obsessive parent demonstrates his love for his son with an unusual experiment.
Lombardo (How to Hold a Woman, 2009, etc.) follows the career of ball-playing wunderkind Danny Granville, the child of high-school teacher Henry and desolate Lori. After discovering that his young son can pitch with either hand, Henry begins training the boy to be the world’s greatest “switch pitcher” by forcing him to operate equally well with either arm. “Maybe there was a window for ambidexterity,” Henry muses. “There were windows for everything! There were windows for creativity and personality and athleticism and musical talent and compassion and altruism, and even genius!” Outside the home, Danny keeps the secret of his immense talent until he loses a high-school game—punching himself afterwards in frustration, to his mother’s horror—and decides to unleash his two-armed barrage on the opposing team in the following match. After a brief stint at college, Danny is drafted in the third round by the Chicago Cubs and before long is striking out the best hitters in the business at Wrigley Field. Exploring with acuity the psychologies of both father and son, the narrative works best when it sticks to the venerable literary traditions of the baseball novel. Regrettably, the author insists on artificially ratcheting up the tension with a reporter who writes an overblown exposé of Henry’s obsession and a subpar subplot implying that Danny’s talent for pitching has unlocked some kind of preternatural ability to foresee disaster. While definitely worthwhile, the book ultimately reflects Danny’s personal mantra: “There’s no such thing as a perfect game.”
Not a great addition to the canon of baseball literature, but not a swing and a miss either.Pub Date: Feb. 11, 2010
ISBN: 978-1-59020-307-1
Page Count: 336
Publisher: Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2009
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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