Too much Santa is a bad thing done just right.
Santa overstays his welcome after Christmas, overwhelming a family with North Pole visitors.
It’s hard to imagine a world in which Santa’s everyday presence would be too much, but that’s what happens to one child and their family after Santa visits and stays. What’s more, it’s not just Santa who moves in; it’s Mrs. Claus; their kitten, Santa Paws; Santa’s parents and in-laws; even the reindeer. As the year goes by and the family observes various holidays, such as Valentine’s Day and Mother’s Day, all with too much Yuletide cheer, the child eventually steps in and teaches Santa a lesson about the sanctity and joy of Christmas. Sharff’s rhyming text reads well, giving the story a bouncy pace while keeping the pages turning. Kaban’s illustrations feature a multiracial central family and character ensemble, and the child who narrates the story has brown skin; Santa is light-skinned, while Mrs. Claus is tan-skinned. In addition, the illustrations convey a feeling of movement and action, whether it’s Easter bunnies hopping around the house or a chaotic Fourth of July party. Together, the story and art make for a smileworthy book with lots of playful silliness and a gentle reminder about the heart of Christmas. (This book was reviewed digitally.)
Too much Santa is a bad thing done just right. (Picture book. 4-7)Pub Date: Oct. 18, 2022
ISBN: 978-0-593-32523-0
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A sweet notion that falls flat.
A hit song reimagined as a book about parental love.
Featured in The Twilight Saga: Breaking Dawn—Part 1, Perri’s “A Thousand Years” deals with the speaker’s fear of romantic love. In picture-book form, it explores a parent’s unwavering love for a child, who grows from an infant into a toddler over the course of the narrative. The caregiver expresses awe when the youngster learns to stand and fear that the child might fall while beginning to walk. “I have spent every day waiting for you,” the parent says. “Darling, don’t be afraid.” What the child might fear isn’t clear from the joyful balloon- and rainbow-filled illustrations. The story borders on cloying, and words that might work when sung and accompanied by music don’t sound fresh on the page: “Time goes by. / You grow ever stronger as you fly.” The refrain, however, is a lovely sentiment: “I have loved you for a thousand years. / I’ll love you for a thousand more.” Perri’s legion of fans may flock to this version, illustrated by Ruiz with sparkling stars, bubbles, and big-eyed toddlers, but it doesn’t hold together as a narrative or an ode, as it’s billed, and it’s a long way from the original song. The child is tan-skinned, the parent is lighter-skinned, and other characters are diverse.
A sweet notion that falls flat. (Picture book. 4-7)Pub Date: April 1, 2025
ISBN: 9780593622599
Page Count: 32
Publisher: Viking
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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