A slightly uneven but admirable set of essays on America’s social dysfunction.
Townsend (Age of Barbarity, 2012) examines the nation’s ongoing cultural battles in this collection of Florida-centric essays.
As should be clear to anyone paying attention to current events, America still has quite a few unsolved problems involving issues of race, gender, poverty, addiction, political corruption, and general aggressiveness. These national issues are perhaps nowhere more visible than in Florida, and this is no recent phenomenon. Townsend, in this collection of essays, takes as his central metaphor the Seminole Wars of the early 19th century, particularly the first, when the United States military destroyed Spanish Florida’s “Negro Fort” at Prospect Bluff and killed the free black and Native American families who lived there. The intricacies of race, class, gender, and power have only grown more complex since, in both the country as a whole—whose father Townsend sees as being Andrew Jackson rather than George Washington—and Florida, in particular. The essays, written between 2008 and 2017, cover a range of Florida topics, mostly involving race and power. Townsend touches on obvious points of tension in recent years, including problematic practices of college football (including Florida State, whose team is called the Seminoles) and the murder of Trayvon Martin. The author digs deeper, however, introducing lesser-known stories, such as the career of a Polk County sheriff with a pro–National Rifle Association agenda. He also offers personal narratives, interrogating his own culpability in America’s failures. As he discusses such issues as the opioid epidemic, rape culture, and policing policies, Townsend dissects the lies that white America tells itself in the Sunshine State and beyond. As the white, educated descendent of slave owners, Townsend is upfront about the privileged position he occupies in the power structure: “I still benefit, generations later,” he writes in the book’s introduction, “from Prospect Bluff’s obliteration.” He thankfully pulls few punches when it comes to calling out the hypocrisy that underlies Southern white culture. Throughout this book, he manages to do so without becoming preachy, demonstrating a genuine affection for his home state and mixing in enough of his personal passions to make him feel relatable and trustworthy. A typical essay is “The Missing Art of Squandered Whiteness,” an examination of white privilege that becomes a rebuke of mainstream country music’s lack of social critique as well as an exaltation of the alt-country band Drive-By Truckers. Townsend is at his best when he plays critic; his long review of T.D. Allman’s Finding Florida (2013), a popular work of Florida history, is another bright spot. Some of the newsier pieces have less life to them, resembling angry letters to the editor or dashed-off newspaper columns. As a whole, though, the essays make for compelling reading. They feel like dispatches from the front lines of today’s virulent culture wars, in which one man desperately tries to convince his peers to put down their guns and take a look in the mirror.
A slightly uneven but admirable set of essays on America’s social dysfunction.Pub Date: Oct. 25, 2017
ISBN: 978-1-5305-5557-4
Page Count: 416
Publisher: CreateSpace
Review Posted Online: Jan. 8, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Review Program: Kirkus Indie
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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SEEN & HEARD
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