One can’t help wishing the novel had roamed a bit more wildly within this inventive premise.
Characters attempt rebellion from a dystopian society that replenishes its female population with forced polygamy and childbearing.
Deep underneath Green City, a group of women live in secret in the Panah, a structure that allows them to evade their fate as wives and mothers strictly controlled by the government. After a virus wiped out a large number of women and wars decimated the region—which roughly encompasses what is current-day Pakistan and Iran—they rebuilt by requiring women to marry multiple men, undergo fertility treatments, and be educated as “domestic scientists.” But the women of the Panah have resisted and make their livings as consorts to the male leaders of Green City. Rather than sex, these women offer nocturnal companionship, usually simply by sleeping next to their clients and holding them. Lin, the leader of the Panah, believes they are safe from discovery after years of her careful planning and personal risks. But when Sabine, one of the Panah girls, turns up in a hospital, nearly dead from an ectopic pregnancy she has no memory of conceiving, all the secrets of both the Green City elite and the rebels are imperiled. Pakistan native Shah (A Season for Martyrs, 2014, etc.) has written a novel that is in explicit conversation with The Handmaid’s Tale, and though Shah’s society is emphatically secular, situating her narrative in a predominantly Muslim area of the world is an overdue enlargement of the cultural conversation that Atwood’s novel continues to provoke. But Shah’s novel, which blends the spy genre and soap opera with speculative fiction, isn’t really the feminist dystopia one might expect. None of the female characters are allowed emotional independence: Each one’s love for a man drives her decision-making.
One can’t help wishing the novel had roamed a bit more wildly within this inventive premise.Pub Date: Aug. 7, 2018
ISBN: 978-1-88328576-0
Page Count: 256
Publisher: Delphinium
Review Posted Online: May 14, 2018
Kirkus Reviews Issue: June 1, 2018
BOOK REVIEW
A quiet tale that considers the way small, human connections can disrupt the callous powers of authority.
A novelist tries to adapt to her ever changing reality as her world slowly disappears.
Renowned Japanese author Ogawa (Revenge, 2013, etc.) opens her latest novel with what at first sounds like a sinister fairy tale told by a nameless mother to a nameless daughter: “Long ago, before you were born, there were many more things here…transparent things, fragrant things…fluttery ones, bright ones….It’s a shame that the people who live here haven’t been able to hold such marvelous things in their hearts and minds, but that’s just the way it is on this island.” But rather than a twisted bedtime story, this depiction captures the realities of life on the narrator's unnamed island. The small population awakens some mornings with all knowledge of objects as mundane as stamps, valuable as emeralds, omnipresent as birds, or delightful as roses missing from their minds. They then proceed to discard all physical traces of the idea that has disappeared—often burning the lifeless ones and releasing the natural ones to the elements. The authoritarian Memory Police oversee this process of loss and elimination. Viewing “anything that fails to vanish when they say it should [as] inconceivable,” they drop into homes for inspections, seizing objects and rounding up anyone who refuses—or is simply unable—to follow the rules. Although, at the outset, the plot feels quite Orwellian, Ogawa employs a quiet, poetic prose to capture the diverse (and often unexpected) emotions of the people left behind rather than of those tormented and imprisoned by brutal authorities. Small acts of rebellion—as modest as a birthday party—do not come out of a commitment to a greater cause but instead originate from her characters’ kinship with one another. Technical details about the disappearances remain intentionally vague. The author instead stays close to her protagonist’s emotions and the disorientation she and her neighbors struggle with each day. Passages from the narrator’s developing novel also offer fascinating glimpses into the way the changing world affects her unconscious mind.
A quiet tale that considers the way small, human connections can disrupt the callous powers of authority.Pub Date: Aug. 13, 2019
ISBN: 978-1-101-87060-0
Page Count: 288
Publisher: Pantheon
Review Posted Online: May 12, 2019
Kirkus Reviews Issue: June 1, 2019
A captivating start to what promises to be an epic post-apocalyptic fable.
The first volume in Carey’s Rampart trilogy is set centuries into a future shaped by war and climate change, where the scant remains of humankind are threatened by genetically modified trees and plants.
Teenager Koli Woodsmith lives in Mythen Rood, a village of about 200 people in a place called Ingland, which has other names such as “Briton and Albion and Yewkay.” He was raised to cultivate, and kill, the wood from the dangerous trees beyond Mythen Rood’s protective walls. Mythen Rood is governed by the Ramparts (made up entirely of members of one family—what a coincidence), who protect the village with ancient, solar-powered tech. After the Waiting, a time in which each child, upon turning 15, must decide their future, Koli takes the Rampart test: He must “awaken” a piece of old tech. After he inevitably fails, he steals a music player which houses a charming “manic pixie dream girl” AI named Monono, who reveals a universe of knowledge. Of course, a little bit of knowledge can threaten entire societies or, in Koli’s case, a village held in thrall to a family with unfettered access to powerful weapons. Koli attempts to use the device to become a Rampart, he becomes their greatest threat, and he’s exiled to the world beyond Mythen Rood. Luckily, the pragmatic Koli has his wits, Monono, and an ally in Ursala, a traveling doctor who strives to usher in a healthy new generation of babies before humanity dies out for good. Koli will need all the help he can get, especially when he’s captured by a fearsome group ruled by a mad messianic figure who claims to have psychic abilities. Narrator Koli’s inquisitive mind and kind heart make him the perfect guide to Carey’s (Someone Like Me, 2018, etc.) immersive, impeccably rendered world, and his speech and way of life are different enough to imagine the weight of what was lost but still achingly familiar, and as always, Carey leavens his often bleak scenarios with empathy and hope. Readers will be thrilled to know the next two books will be published in short order.
A captivating start to what promises to be an epic post-apocalyptic fable.Pub Date: April 14, 2020
ISBN: 978-0-316-47753-6
Page Count: 416
Publisher: Orbit/Little, Brown
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
PERSPECTIVES
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