A teenager rewrites her story in this enchanting yarn.
In Willis and Andelfinger’s graphic novel, a high schooler finds herself thrown inside her own fiction.
Brie Page just wants to get through high school being as invisible as possible so she can go home and write her stories, or listen to her podcast about writing, or think about writing. When her mother forces her out of the house to do “normal teen stuff,” Brie finds herself in front of a bookstore she’s never seen before. The very strange store owner’s name is Ambrose. When Brie confesses her teenage woes, Ambrose offers to let her buy a special pen that will supposedly help Brie in crafting her tales and escaping the real world. After fighting with her former friend Viv on the way home, Brie sits down with her new pen and starts to write three different stories, with hours passing in the blink of an eye. The next morning, Brie opens her locker at school to find a portal inside. Entering it takes her to another world with talking horses and a sorceress—and Brie herself is the queen. Knowing this is one of her yarns, Brie follows the plot, but it doesn’t quite go as she wrote it (“This was supposed to be the end of the story…and yet I’m still here!”). Hopping from one of her texts to the next, Brie starts to realize something is going on and changes her writing, pulling her family and friends into the madness. In this cleverly constructed graphic novel, Taylor and Marchbank use mostly black-and-white illustrations, switching to bright colors when Brie hops into her stories. With inspirational themes of standing up for yourself against bullies, taking charge of your own narrative, and finally finding a way to talk to your crush, this engaging story has something for everyone.
A teenager rewrites her story in this enchanting yarn.Pub Date: June 18, 2024
ISBN: 9781952303579
Page Count: 216
Publisher: Maverick
Review Posted Online: April 29, 2024
Kirkus Reviews Issue: June 15, 2024
Review Program: Kirkus Indie
A clever and timely conversation on reclaiming identity and acknowledging one’s full worth.
Superman confronts racism and learns to accept himself with the help of new friends.
In this graphic-novel adaptation of the 1940s storyline entitled “The Clan of the Fiery Cross” from The Adventures of Superman radio show, readers are reintroduced to the hero who regularly saves the day but is unsure of himself and his origins. The story also focuses on Roberta Lee, a young Chinese girl. She and her family have just moved from Chinatown to Metropolis proper, and mixed feelings abound. Jimmy Olsen, Lois Lane’s colleague from the Daily Planet, takes a larger role here, befriending his new neighbors, the Lees. An altercation following racial slurs directed at Roberta’s brother after he joins the local baseball team escalates into an act of terrorism by the Klan of the Fiery Kross. What starts off as a run-of-the-mill superhero story then becomes a nuanced and personal exploration of the immigrant experience and blatant and internalized racism. Other main characters are White, but Black police inspector William Henderson fights his own battles against prejudice. Clean lines, less-saturated coloring, and character designs reminiscent of vintage comics help set the tone of this period piece while the varied panel cuts and action scenes give it a more modern sensibility. Cantonese dialogue is indicated through red speech bubbles; alien speech is in green.
A clever and timely conversation on reclaiming identity and acknowledging one’s full worth. (author’s note, bibliography) (Graphic fiction. 13-adult)Pub Date: May 12, 2020
ISBN: 978-1-77950-421-0
Page Count: 240
Publisher: DC
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced...
A pairing of the text of the Scottish Play with a filmed performance, designed with the Shakespeare novice in mind.
The left side of the screen of this enhanced e-book contains a full version of Macbeth, while the right side includes a performance of the dialogue shown (approximately 20 lines’ worth per page). This granular focus allows newcomers to experience the nuances of the play, which is rich in irony, hidden intentions and sudden shifts in emotional temperature. The set and costuming are deliberately simple: The background is white, and Macbeth’s “armor” is a leather jacket. But nobody’s dumbing down their performances. Francesca Faridany is particularly good as a tightly coiled Lady Macbeth; Raphael Nash-Thompson gives his roles as the drunken porter and a witch a garrulousness that carries an entertainingly sinister edge. The presentation is not without its hiccups. Matching the video on the right with the text on the left means routinely cutting off dramatic moments; at one point, users have to swipe to see and read the second half of a scene’s closing couplet—presumably an easy fix. A “tap to translate” button on each page puts the text into plain English, but the pop-up text covers up Shakespeare’s original, denying any attempts at comparison; moreover, the translation mainly redefines more obscure words, suggesting that smaller pop-ups for individual terms might be more meaningful.
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced e-book makes the play appealing and graspable to students . (Enhanced e-book. 12 & up)Pub Date: Sept. 9, 2013
ISBN: N/A
Page Count: -
Publisher: The New Book Press LLC
Review Posted Online: Nov. 6, 2013
Kirkus Reviews Issue: Dec. 1, 2013
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