Swedish writer Larsson’s first US publication, a retelling of the life of the pirate Silver, is a mild confection, perhaps sweetest for fans of Treasure Island who can rely on that classic to provide the motive to keep turning these many pages. Comfortably retired on Madagascar in 1742, Silver is nettled that all the literature written about his life has got it wrong. Amid his plundered riches and house staff, he opens his recollections during his youth back in Scotland, where he’s raised a motherless son by a drunken father. Having learned the knack of plucky self-reliance, he takes to the sea, is shipwrecked, and later is rescued by Dunn, a charitable soul of baffling kindness. Silver falls in love with Eliza, Dunn’s daughter, but after he witnesses a murder, the three are forced to flee England. Dunn and Eliza don—t make it out, but Dunn’s son, the impish, cowardly Deval, clings to Silver like a barnacle. The bulk of the story tells of Silver’s adventures at sea. He sails first with Edward England, whose spirit is ultimately snapped by the cruelty of the buccaneer’s life; and later with a slave ship, among whose “cargo” he inspires a rebellion against the vicious Captain Butterworth and his ruthless aide, Scudamore. Sold into slavery himself in St. Thomas, Silver escapes and ultimately joins up with Captain Flint. With Flint, Silver loses his leg when the cowardly Deval shoots him from behind as the pirates board a ship. Silver exacts his revenge by having Deval’s leg sawed off and roasted over an open flame—thus, Silver’s nickname, “Barbecue.” The action scenes in these passages are what make the book, since Silver’s meditations on slavery, independence, honor, and human rights are something less than stirring. Few of Stevenson’s Treasure Island readers, indeed, have been terribly gripped by Silver’s inner life. Still, the genial old salt is harmless enough and capable of telling a fair and bloody old memory more often than not.
Pub Date: Oct. 1, 1999
ISBN: 1-86046-694-X
Page Count: 400
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1999
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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