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SHADOW

Name: SHADOW
Author: Blaise Cendrars
ISBN: 978-0-684-17226-2

by Blaise Cendrars illustrated by Marcia Brown translated by Marcia Brown ‧ RELEASE DATE: May 27, 1982

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From an African-inspired French poem, Marcia Brown has created a vibrant picture book that packs a new and unexpected wallop at every turn of the page. The words profile Shadow—a spooky presence, a watcher, a prowler and dancer, a mocking trickster: full of life in the daytime when it "races with the animals at their swiftest," heavy when night falls, blind and groping when the fires go out. Brown picks up each of Shadow's moods and guises: from the first opening, a stunning horizontal symmetry of reflected green land, silhouetted black trees and figures, and bulls-eye sun in a striated orange-red sky—we turn to the deeper reds and blues and dominant, droopy black silhouette of the lush jungle that half-hides Shadow's ghostly presence. Shadow slides up behind the storyteller, blue behind the man's hypnotic black form—or, blind and black itself against blue sky, it crawls eerie and spider-like with reaching oversize hands. It is unobtrusively present behind a crouched hunter in a dazzling, crinkly-textured, gold field—then ascendant in the amusing, "mocking" spread that seems a sort of muted shift on the same chord. The closest comparison is with Brown's All Butterflies, except that this is more than a stunning portfolio; throughout, there's a rhythmic relationship among the spreads themselves. A knockout.

Pub Date: May 27, 1982

ISBN: 978-0-684-17226-2

Page Count: 48

Publisher: Scribner

Review Posted Online: Oct. 18, 2013

Kirkus Reviews Issue: May 1, 1982

Categories:

CHILDREN'S GENERAL CHILDREN'S

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TALES FOR VERY PICKY EATERS

by Josh Schneider & illustrated by Josh Schneider ‧ RELEASE DATE: May 1, 2011

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Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
ULTRABOT'S FIRST PLAYDATE
by Josh Schneider ; illustrated by Josh Schneider

- BOOK REVIEW
KID AMAZING VS. THE BLOB
by Josh Schneider ; illustrated by Josh Schneider

- BOOK REVIEW
EVERYBODY SLEEPS (BUT NOT FRED)
by Josh Schneider ; illustrated by Josh Schneider

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CINDERELLA

From the Once Upon a World series

by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016

A nice but not requisite purchase.

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A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)