A memorable coming-of-age story that vividly evokes the tumultuous late ’60s.
A paperboy in Virginia discovers hidden aspects of his diverse community in this historical fiction debut.
In 1988, 34-year-old Sanford “Sandy” Jackson Rivers, who’s white, has worked for the Richmond Times-Daily for nearly a decade, becoming one of the most influential journalists in the state. One day, an obituary-desk photo of an African American man on a battered bicycle sends him rushing off to attend the funeral; then, the story looks back to April 4, 1968, when paperboy Sandy has his first early morning encounter with Henry Clayton Woods, the man in the photo. That same day, the Rev. Martin Luther King is assassinated, and over the next 16 tumultuous months, Sandy tries to make sense of how the headlines in the papers that he delivers affect real lives. Deans, the author of Reckless: The Political Assault on the American Environment (2012), spent 25 years as a journalist, and his novel is a meditation on the “audacious proposition” that the world can be condensed into “eight straight columns of black and white,” delivered before breakfast. He also effectively shows how Sandy has the makings of a journalist early on, as he observes the “roaring din” of the presses, a service in a black church for a soldier killed in Vietnam, and his friend Winston’s determination to serve in the military. The glimpses of Sandy as an adult that bookend the story are tantalizingly brief, but the story of his younger, searching self is even more engaging. Deans’ prose elegantly portrays the natural world that serves as a backdrop for Sandy’s nuanced interactions—“Dawn wander[s] in as though it might not stay”—and marks each of Sandy’s daily journeys as he awakens to the concepts of love, loss, and forgiveness.
A memorable coming-of-age story that vividly evokes the tumultuous late ’60s. (author question & answer)Pub Date: April 15, 2020
ISBN: 978-1-929647-50-7
Page Count: 306
Publisher: Evening Post Books
Review Posted Online: April 3, 2020
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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