by Bob Drury & Tom Clavin ‧ RELEASE DATE: Jan. 10, 2007
The inherent drama of the events compensates for the sometimes lackluster storytelling.
A tale of natural disaster, bad judgment and heroism during World War II.
In December 1944, a typhoon overtook a U.S. naval fleet that, under the leadership of Admiral William Halsey, was sailing in the Philippine Sea. The catastrophe was legendary—indeed, some believe it to be the basis for Herman Wouk’s Pulitzer Prize-winning novel, The Caine Mutiny. All told, three ships were destroyed, and almost 800 men died. Drawing on recently declassified documents, Drury (The Rescue Season, 2001, etc.) and Clavin (Dark Noon, not reviewed, etc.) recreate the terrifying days during which the crew battled the elements. But this is not just a tale of men against nature. It’s also a tale of men for, and against, other men: Lieutenant Commander Henry Lee Plage of the USS Tabberer flouted orders in a daring rescue effort. The most moving scenes come at the end of the book, as the survivors reckon with the fate of their many dead comrades. Sailors on the USS Knapp, having recovered a body so mutilated by sharks that it was unidentifiable, recited a service from the Book of Common Prayer, and committed the body back to the sea. Moments later, another body floated up from the depths—it was Lieutenant Lloyd Rust, and he, miraculously, was still alive. The authors’ prose is often vivid: The typhoon created not just waves, but “vertical sheet[s] of ocean,” slamming against the ships, and the sun that beat down on men struggling to stay afloat is “a red dahlia.” Drury and Clavin have managed to avoid the problems that so often plague books with two authors—jerky breaks in the narrative, chapters cast in radically different voices. Still, the book is marred by weak characterization—even the heroic Plage never becomes three-dimensional.
The inherent drama of the events compensates for the sometimes lackluster storytelling.Pub Date: Jan. 10, 2007
ISBN: 0-87113-948-0
Page Count: 320
Publisher: Atlantic Monthly
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2006
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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