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HOW THE SUN GOT TO COCO'S HOUSE

It’s great to be able to count on something; readers can count on both the sun and Graham.

The sun takes readers on a world tour as it makes its way to each new dawning horizon.

It is dark when Coco crawls into bed for the night, but the sun is getting busy elsewhere. It greets polar bear cubs and a fishing vessel in the cold northern waters. It reflects off a whale’s eye and the bell of the paperboy’s bicycle. It lights the way through a Siberian forest, heats a yurt, crawls down an alley in China, “and waited patiently outside an old lady’s window to be let in.” The sun sparks a rainbow and dazzles a puddle. Then, sure as the world turns, it crawls in through Coco’s window, joins the family for breakfast, and after “such a dash, the sun had time on its hands. So did Coco! So did Coco’s friends!” Graham brings a little sentiment to the procession but only enough to light sympathy for all the characters on parade. The drawings are deftly unfussy, with an easy command of the watercolors. Their deliberate pacing recalls Mitsumasa Anno, and in their grand compass they are like a big, Whitmanesque hug. The story ends with a bird’s-eye view of a factory town, a shaft of sunlight slicing down to Coco’s yard and a new snow having fallen, with hoses and lawn mowers caught by surprise.

It’s great to be able to count on something; readers can count on both the sun and Graham. (Picture book. 4-6)

Pub Date: Sept. 22, 2015

ISBN: 978-0-7636-8109-8

Page Count: 40

Publisher: Candlewick

Review Posted Online: June 28, 2015

Kirkus Reviews Issue: July 15, 2015

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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THE CRAYONS GO BACK TO SCHOOL

Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings.

The Crayons head back to class in this latest series entry.

Daywalt’s expository text lays out the basics as various Crayons wave goodbye to the beach, choose a first-day outfit, greet old friends, and make new ones. As in previous outings, the perennially droll illustrations and hand-lettered Crayon-speak drive the humor. The ever wrapperless Peach, opining, “What am I going to wear?” surveys three options: top hat and tails, a chef’s toque and apron, and a Santa suit. New friends Chunky Toddler Crayon (who’s missing a bite-sized bit of their blue point) and Husky Toddler Crayon speculate excitedly on their common last name: “I wonder if we’re related!” White Crayon, all but disappearing against the page’s copious white space, sits cross-legged reading a copy of H.G. Wells’ The Invisible Man. And Yellow and Orange, notable for their previous existential argument about the color of the sun, find agreement in science class: Jupiter, clearly, is yellow AND orange. Everybody’s excited about art class—“Even if they make a mess. Actually…ESPECIALLY if they make a mess!” Here, a spread of crayoned doodles of butterflies, hearts, and stars is followed by one with fulsome scribbles. Fans of previous outings will spot cameos from Glow in the Dark and yellow-caped Esteban (the Crayon formerly known as Pea Green). (This book was reviewed digitally.)

Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings. (Picture book. 4-6)

Pub Date: May 16, 2023

ISBN: 9780593621110

Page Count: 32

Publisher: Philomel

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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