A tense post-apocalyptic drama that reads as if the kids in Lord of the Flies were savvy enough to grow up and form...
In a barbarous future following economic apocalypse, what’s left of the city of Asheville, North Carolina, faces a military and ideological threat from a hostile, degenerate tribe led by a vengeful ex-citizen.
Veteran author Mustin’s (Sam’s Place, 2013, etc.) sci-fi tale is a compelling, disturbingly urgent spin on the Riddley Walker–esque retro-barbarism-of-the-future theme, contained within a timely (if loaded) debate on laissez faire versus central authority. The story envisions what used to be the southern United States in the winter of 2090, a few generations following the “Great Debacle,” a worldwide economic depression triggered by a monopolist-tycoon U.S. president and an abundance of guns. Associated pandemic guerilla warfare destroyed much of civilization, and what was once Asheville is now the Citadel, a compound of tents and ruins, run along authoritarian lines by Mayor Samuel II. Still, it functions as a cooperative society compared to Freedomland, a surrounding territory populated by “Outliers,” tribal survivalists backsliding ever more into primitivism. Formerly at war with the Citadel, Outliers have established a dubious form of détente, including trade and parlays, under their new chieftain, Abraham Trapper. But Abraham was once Isaac Editor, a prominent Citadel member who defected to anarchy in the name of “sovereign” individualism and brawny self-determination (mental illness is involved; sorry tea party Nietzscheans). In the Citadel, Abraham’s old friend Jakob Historian (scribe for the community’s surviving monthly newspaper) learns that Abraham’s battered slave-wife is his lost love, presumed killed in action many years earlier, one of a number of psychological blows (some cunningly planned ahead by Abraham/Isaac) intended to shake Jakob’s belief in the Citadel way of life. For a narrative containing many philosophical poses, the contest between militia-mindset nihilism and organized government is still put across in terms that rile the mind and stir the blood and are eerily reflective of current talk radio bloviations. Readers living in the author’s Blue Ridge Mountains area will be particularly struck by the sense of place.
A tense post-apocalyptic drama that reads as if the kids in Lord of the Flies were savvy enough to grow up and form political parties.Pub Date: Dec. 1, 2014
ISBN: 978-1631734465
Page Count: 268
Publisher: Gridley Fires Books
Review Posted Online: March 18, 2015
Kirkus Reviews Issue: May 15, 2015
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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