Though this represents the first volume in the Odenkirk Memorial Library, it isn’t likely that the author will abandon his...
A humor collection from the postmodern jack of many trades.
The creator and star of the cult TV favorite Mr. Show, Odenkirk (co-author: Hollywood Said No!, 2013) reached a larger audience with his dramatic role in Breaking Bad and has written for both Saturday Night Live and the New Yorker. There is plenty here that the latter would never print, particularly in its more fastidious days—e.g., the opening “One Should Never Read a Book on the Toilet,” addressed to students at a young women’s finishing school and advising that there “are appropriate postures for both reading and for defecating, and neither is compatible with the other.” Addressing a particular public is one of the collection’s recurring motifs, encompassing the obligatory commencement speech, the attempts by various politicians to come clean with particularly embarrassing revelations (“The media will, no doubt, suggest that there is something weird about me wearing a blindfold while having sex with two people I’d met a few hours before, but I assure you I was on Ecstasy and would have tried almost anything”) and, most audaciously, “Martin Luther King Jr.’s Worst Speech Ever.” Odenkirk takes the concept of sacred cows to greater extremes as the butt of his humor, returning repeatedly to Jesus (or “a fairy tale about someone named ‘Jeebus’ ”). And there are some fairly funny pieces on fairly easy targets, including consumer reviews for the likes of Amazon (“This album aspires to claptrap. No wonder they refused to put their faces on it!! Now I know why it has no title and is called ‘The White Album’—because you can’t put the word ‘SHIT’ on the cover of a record album”) and a BFF’s character testimonial for Phil Spector (“he has enriched my world with music, good conversation, and gunshots”).
Pub Date: Oct. 7, 2014
ISBN: 978-1-938073-88-5
Page Count: 112
Publisher: McSweeney’s
Review Posted Online: July 26, 2014
Kirkus Reviews Issue: Aug. 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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