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GRAIN BY GRAIN

A QUEST TO REVIVE ANCIENT WHEAT, RURAL JOBS, AND HEALTHY FOOD

A compelling agricultural story skillfully told; environmentalists will eat it up.

An organic farmer and entrepreneur in Montana shares his experiences and ideas for changing the way America produces its food.

The organic spokesman’s story is co-authored by Carlisle (Lecturer/School of Earth, Energy, and Environmental Sciences/Stanford Univ.), whose previous book, Lentil Underground (2015), also focused on an entrepreneurial Montana-based organic farmer. After her explanatory prologue, Carlisle remains hidden so that the experiences and the opinions represent Quinn’s voice. The book is partly memoir: Readers learn about Quinn’s upbringing on a Montana farm, his various ventures into organic farming, his work to improve soil quality, and his launching of a wind farm and biofuel project. However, the text serves mainly as an argument about the necessity of valuing quality in food and how it can help heal people instead of making them sick, alleviate poverty by rebuilding rural communities, and reduce damage to the environment. Central to the story is an ancient grain from Mesopotamia that Quinn experimented with and the building of Kamut International, a large wheat corporation operating internationally. The picture that emerges is that of an experienced farmer and a resourceful, community-minded businessman. Quinn’s tale is also a diatribe against America’s widespread agricultural-industrial complex. He rails against “Americans’ fiercely held attachment to cheap consumer goods, particularly cheap food. Transformed from producers into consumers at the same time as their economic status diminished, the American middle class insisted on lower and lower prices, spurred on by corporations like Walmart and McDonald’s.” That’s the bad news. Quinn does provide evidence of progress, as more and more people, especially millennials, are becoming informed consumers, interested in where their food comes from and how it is produced, and an increasing number are becoming farmers, producing organically and selling locally. The few black-and-white photographs scattered throughout add little to the text, which stands alone quite well.

A compelling agricultural story skillfully told; environmentalists will eat it up.

Pub Date: March 5, 2019

ISBN: 978-1-61091-995-1

Page Count: 272

Publisher: Island Press

Review Posted Online: Dec. 3, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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