by Bob Raczka ; illustrated by Simone Shin ‧ RELEASE DATE: April 1, 2017
Conceptual and thoughtful, like Niko’s own pieces.
A boy finds ample artistic inspiration, but people find his artwork baffling.
Niko’s art has atypical subject matter. He is excited by “a mother bird building a nest.…Or the ice cream truck ring-a-linging down the street,” but he doesn’t draw the physical things he sees. He draws the robin’s hard work and the ice cream truck’s sound. “Where’s the robin?” asks his teacher, and then, puzzled, “So this is the nest?” Niko tries to explain: “It’s not the nest. It’s her hard work.” Similarly, the kids find neither ice cream truck nor bell in his picture, because “It’s not the bell. It’s the ring-a-ling.” Even his parents don’t get it. His drawing of “the warm of the sun on my face” elicits the question, “Where’s your face?” “It’s not my face. It’s the warm,” Niko says, dejected. While Shin’s child-style portrayals of Niko’s abstract drawings wouldn’t be definable by readers without Niko’s explanation, that’s hardly the point; the point is finding one person who appreciates his abstract work—a new neighbor—and Niko’s freedom to draw nonrepresentationally. The mixed-media illustrations, which include digital rendering and acrylic paint, are gentle and two-dimensional; their colors lean toward tertiaries and blue-grays. Niko has ruddy pink skin and black hair; his dad is brown-skinned, and his mom is probably Asian.
Conceptual and thoughtful, like Niko’s own pieces. (Picture book. 5-9)Pub Date: April 1, 2017
ISBN: 978-1-4677-9843-3
Page Count: 44
Publisher: Carolrhoda
Review Posted Online: Feb. 19, 2017
Kirkus Reviews Issue: March 1, 2017
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by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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