A dynamic cast drives this worthwhile legal thriller.
Atlanta lawyers fight to save an innocent man on death row in Rothman’s debut novel.
When a north Georgia diner’s owner and chef turn up dead, police arrest Joseph Owens, a busser who was fired just three days before and apparently had altercations with other employees. Owens goes on trial for murder and armed robbery, and though there’s no hard evidence that he committed the crimes (the .45 the victims were killed with is missing, for one thing), the circumstantial case is enough for the majority-white jury to reach a guilty verdict for the Black defendant, who receives a death sentence. Attorney Elena Samuels of the law firm Fox Stern, however, is so sure of Owens’ innocence that she convinces Greg Williams, her colleague at the same firm, to take the man’s case pro bono. They volunteer themselves as Owens’ counsel in the habeas corpus proceedings, where they intend to “raise every constitutional violation” they’re able to dig up in the trial record. When they’re not arguing with their firm’s managing partner, who’s unhappy about the lawyers’ dwindling billable hours, Elena and Greg reexamine the case and make a startling discovery. Rothman maintains a brisk narrative while showcasing the complexities of the American judicial system. The depiction of Owens’ trial isn’t merely a transcription of witnesses’ testimony; there’s a pretrial hearing, jury selection, and a sentencing hearing, as well, all delivered with succinct rounds of questioning and high-speed dialogue. All the major characters are well developed; the defendant is sympathetic but has his flaws (he’s undeniably quick to anger), and public defender Michael Delaney is a smart and capable attorney. The story ultimately shifts its focus to Elena and Greg, especially the latter’s troubles; for instance, he may be suffering from PTSD. He and Elena’s mutual respect enlivens their scenes together, and a touch of romance doesn’t hurt the duo’s solid professional relationship.
A dynamic cast drives this worthwhile legal thriller.Pub Date: Sept. 12, 2024
ISBN: 9781685134754
Page Count: 298
Publisher: Black Rose Writing
Review Posted Online: May 7, 2024
Review Program: Kirkus Indie
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.
Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.
The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.Pub Date: Nov. 5, 2024
ISBN: 9781668003138
Page Count: 320
Publisher: Atria
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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