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DINOSAUR VS. SANTA

From the Dinosaur vs… series

“DINOSAUR WINS!” So will young readers and listeners likewise charged up with dino DNA.

Fresh from roaring out at bedtime (2008), at potty training (2010) and in the library (2011) Shea’s prehistoric preschooler takes on Christmas.

Flashing dentifrice that would do a shark proud, the diminutive dino “attacks” a letter to Santa, struts proudly away from a newly decorated (at least in its lower branches) tree, glues up crafty gifts for the parents and heroically takes a pass on a tempting gingerbread cookie (“Dinosaur versus… / being extra good!”). After sneaking downstairs for a Santa sighting (“something no dinosaur should ever do”), he even surmounts the supreme challenge of falling asleep on Christmas Eve. Flashing expressions that range from fierce scowls and high jubilation to a less showy—but more substantial—grimace of triumph (see cookie encounter, above), the energetic urchin gambols across appropriately noisy scatterings of crayons, craft sticks, glitter and various (secular) signs of the season placed by the author against backgrounds of solid color alternating with plaid and other patterns.

“DINOSAUR WINS!” So will young readers and listeners likewise charged up with dino DNA. (Picture book. 3-5)

Pub Date: Sept. 11, 2012

ISBN: 978-1-4231-6806-5

Page Count: 40

Publisher: Disney-Hyperion

Review Posted Online: April 17, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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CHICKA CHICKA HO HO HO

From the Chicka Chicka Book series

A successful swap from coconut tree to Christmas tree.

A Christmas edition of the beloved alphabet book.

The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.

A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)

Pub Date: Oct. 1, 2024

ISBN: 9781665954761

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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OLIVER AND HIS EGG

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...

Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.

“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)

Pub Date: July 1, 2014

ISBN: 978-1-4231-7573-5

Page Count: 40

Publisher: Disney-Hyperion

Review Posted Online: May 18, 2014

Kirkus Reviews Issue: June 1, 2014

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