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Tumble

A flawed but intriguing thriller with plenty of terrifying weather catastrophes and an admirable commitment to scientific...

A debut novel kicks off a multipart saga about worldwide natural disasters.

Triggs opens his story with a bittersweet evocation of the 2004 Thailand tsunami, as a widower returns to the country for the 15-year anniversary of the event that killed his family. But something far worse is approaching. Sudden earthquakes ripple across the globe, and satellites reveal the emergence of a new landmass in the Indian Ocean. This geological phenomenon is dubbed the Andaman Event. Six months later, strange weather emerges around the world: a frozen hurricane sinks a fishing fleet, a tornado rips apart homes in Australia, and a gigantic sandstorm pummels the Western Sahara. To make matters worse, Infinity, the satellite company in Palo Alto, California, responsible for virtually all weather forecasts, experiences service outages, leaving most nations blind to impending disasters. Brad Bentley and Steve Jaeger, Infinity’s founders, search for the outages’ cause, eventually suspecting that a computer virus may be shutting down some of their satellites. But they slowly realize that the glitches may reflect a global “tumble” triggered by the Andaman Event. The book covers broad ground over 43 chapters, sometimes focusing on the investigation and sometimes following people fleeing for their lives, such as an archaeologist in a Land Rover in the Western Sahara during the monster sandstorm. Too much time is spent on Brad and Steve looking for a virus, and some characters’ roles are unclear—a few chapters examine apartment dwellers in Queens, for example, but these sections don’t tie into much else. Yet some discursions, such as a chapter about a doomed Russian ship, are well-written portraits of desperation and ratchet up the novel’s tension. Characterization remains a weak point. Most individuals are either “types” or not developed beyond their high intelligence and affability. The geological and meteorological processes described have clearly been meticulously researched. While technical explanations occasionally become tedious, many readers should enjoy a natural disaster narrative that embraces scientific inquiry over Hollywood gimmicks. Triggs ends on a high note; readers will likely look forward to the second installment, which will hopefully have a tighter plot construction and more layered characterization.

A flawed but intriguing thriller with plenty of terrifying weather catastrophes and an admirable commitment to scientific exploration.

Pub Date: June 17, 2016

ISBN: 978-1-4917-9507-1

Page Count: 494

Publisher: iUniverse

Review Posted Online: Sept. 14, 2016

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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