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FEATHER CROWNS

Christie and James Wheeler, tobacco farmers in turn-of-the- century Hopewell, Kentucky, and already parents of three, become the most illustrious people of their time and place when Christie gives birth to quintuplets. Her pregnancy was marked by a misdiagnosis of fibroids—and after the birth Christie wonders whether her so liking sex with her husband (as well as being once erotically charged by a preacher's millennial verve) could have contributed to so freakish an issue. But whatever their cause, the five babies demand heroic attention: Christie's milk is nowhere near adequate; a black nursemaid is called in. Also arriving are the curious—from as far away as St. Louis and Chicago. But in a matter of months the babies all die—``wooled to death,'' Christie thinks, from being overhandled by strangers; killed by Negro milk, James prefers to think. In any case, life after the babies grows hard economically as well as sentimentally; when a crop goes bad, Christie and James allow themselves to be suckered into going on a lecture tour (with the five tiny embalmed bodies in a glass case) that degenerates into a carny sideshow and worse. Shaking off their nightmare, the Wheelers finally allow a scientific institute to keep the babies' bodies for research; and the book ends with Christie in old age paying a visit to the Dionne quints. Mason (Love Life, etc.) has a wonderful story here and knows it, but has chosen to tell it so slowly, at such deliberate pace, that only the babies' deaths (and Christie's frantic impotence to stop the dying)—plus some of the freak-show hucksterism on the post-death tour—come over as vivid enough to be indelible. Mason's usually fine dialogue is muffled by historical distance, and the book simply is too long to maintain Christie's painful awe at life's oddness. The theme of exploitation rises foremost, but it's a late one the novel accedes to almost halfheartedly—sociology more cut and dried than the fearful psychology of Christie's grief. (First printing of 60,000)

Pub Date: Sept. 29, 1993

ISBN: 0-06-016780-7

Page Count: 400

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1993

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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