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THE GIRL IN THE BLUE BERET

Like Marshall himself, the novel maintains a reserved, laconic, even pedantic tone—off-putting at times yet often moving.

Mason (Nancy Culpepper, 2006, etc.) may surprise fans of her Appalachian stories with this historical novel about a World War II pilot who returns to France to find the families who helped him survive after his plane was shot down 36 years earlier.

In 1980, 60-year-old Marshall Stone is forced to retire as an airline pilot. His wife Loretta, whom he loved but largely took for granted, has died, and he is not close to his grown children. With an empty future looming, he decides to retrace the trail he took after he crash-landed his B-17 bomber in 1944. Marshall was co-pilot, but when the plane was hit on Marshall’s 10th mission, he had to take over from the fatally wounded pilot and crash land in a field. Local farmers helped him before the Germans could reach him. A French farm family took him in and then passed him into the care of the resistance. Soon Marshall has reconnected with the Albert family—his oldest son named Albert in their honor—and the Alberts’ son Nicolas, now a school principal, offers to help him in his search. Marshall sets himself up in an apartment in Paris—he has studied French—and begins to look for the Vallon family that hid him in Paris in 1944. He is particularly haunted by memories of the family’s teenage daughter Annette and her charismatic friend Robert, a member of the Resistance who led Marshall to safety in Spain. Soon he meets Robert’s illegitimate daughter, whose memories of her father are shockingly dark. Then Marshall finds Annette, now a lovely widow, and she fills in the missing pieces—she and Robert fell in love shortly before he and the Vallons were rounded up and sent to concentration camps. Robert never recovered from survivor guilt. Marshall and Annette become lovers before they set off to cross the Pyrenees, a trip full of bittersweet memories for Marshall.

Like Marshall himself, the novel maintains a reserved, laconic, even pedantic tone—off-putting at times yet often moving.

Pub Date: June 28, 2011

ISBN: 978-1-4000-6718-3

Page Count: 368

Publisher: Random House

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: March 15, 2011

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IF CATS DISAPPEARED FROM THE WORLD

Jonathan Livingston Kitty, it’s not.

A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.

The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.

Jonathan Livingston Kitty, it’s not.

Pub Date: March 12, 2019

ISBN: 978-1-250-29405-0

Page Count: 176

Publisher: Flatiron Books

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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