A big-hearted and relatable read, especially if you’re old enough to remember the 1990s.
An older gay writer in New York City finds a way forward, despite many losses.
Finger’s sophomore effort tracks Artie Anderson on two interwoven timelines. One begins in the 1990s, when he’s about to quit his soul-sucking job as an advertising copywriter to pen a novel based on his beloved friend group, two other gay men and a lesbian, the four of whom are joined at the hip and hang out religiously at Julius’, a gay bar in Greenwich Village. The other thread begins on Artie’s 60th birthday in 2022, and we can’t help but notice that the guest list includes none of the same people. At 60, Artie has become a successful ghostwriter but has yet to produce a follow-up to his fiction debut, which was not a financial success, though all 34 people who read it seem to have liked it quite a lot. Finger’s own well-received debut, The Old Place (2022), revolved around a church picnic in small-town Texas, and his sophomore effort continues to explore the theme of appreciation for the social networks and institutions that hold people together. In this case it’s GALS, a center for Gay and Lesbian Seniors, where the decimated cohort who survived AIDS can gather for movie nights, Thanksgiving dinners, and the like. After all, as this book shows us, gay Manhattan is actually just another kind of small town. Finger’s depictions of the changes in the West Village, the depredations of aging, and the possibilities of romantic connection between older single people are acute, yet infused with a sweet shrug of resignation. For example, he points out that the high-end cooking utensil store that has replaced an infamous gay club known as the Rod is at least still staffed by good-looking young men. The plot relies on a couple of big reveals toward the end, one of which is very powerful and the other less so, but it’s the warmth and astute observation that are the main draw anyway.
A big-hearted and relatable read, especially if you’re old enough to remember the 1990s.Pub Date: June 18, 2024
ISBN: 9780593713556
Page Count: 336
Publisher: Putnam
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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