FOUR SQUARES

An older gay writer in New York City finds a way forward, despite many losses.

Finger’s sophomore effort tracks Artie Anderson on two interwoven timelines. One begins in the 1990s, when he’s about to quit his soul-sucking job as an advertising copywriter to pen a novel based on his beloved friend group, two other gay men and a lesbian, the four of whom are joined at the hip and hang out religiously at Julius’, a gay bar in Greenwich Village. The other thread begins on Artie’s 60th birthday in 2022, and we can’t help but notice that the guest list includes none of the same people. At 60, Artie has become a successful ghostwriter but has yet to produce a follow-up to his fiction debut, which was not a financial success, though all 34 people who read it seem to have liked it quite a lot. Finger’s own well-received debut, The Old Place (2022), revolved around a church picnic in small-town Texas, and his sophomore effort continues to explore the theme of appreciation for the social networks and institutions that hold people together. In this case it’s GALS, a center for Gay and Lesbian Seniors, where the decimated cohort who survived AIDS can gather for movie nights, Thanksgiving dinners, and the like. After all, as this book shows us, gay Manhattan is actually just another kind of small town. Finger’s depictions of the changes in the West Village, the depredations of aging, and the possibilities of romantic connection between older single people are acute, yet infused with a sweet shrug of resignation. For example, he points out that the high-end cooking utensil store that has replaced an infamous gay club known as the Rod is at least still staffed by good-looking young men. The plot relies on a couple of big reveals toward the end, one of which is very powerful and the other less so, but it’s the warmth and astute observation that are the main draw anyway.

A big-hearted and relatable read, especially if you’re old enough to remember the 1990s.