As in the Georges’ earlier offerings, Number Work and Letter Work (both 2012), this outing is appropriate for youngsters who...
Montessori experts offer a handsome, in-depth exploration of shapes.
As the parent note on the verso of the cover states, the shapes are presented from the concrete to the abstract. Three varieties of triangles, all with a tactile feature created by cutting away the top layer of the board page, are presented, allowing readers to feel and understand the geometric concept. On the following pages, these triangles are more specifically named (isosceles, equilateral and right-angled) and shown in their real-world contexts as an evergreen tree, the roof of a house and a sail on a boat, respectively. Rounds (circle, ellipse and oval) come next, followed by parallelograms and polygons presented in the same format. Nassner’s crystal-clear graphics in natural colors against faux wood grain, give the book much-needed warmth. This is an advanced take on shapes, with mathematically accurate vocabulary (“rhombus” is used rather than the more colloquial “diamond,” for example), and shapes are flipped and turned when presented as real-world objects (the egg-shaped “oval” is shown narrow end up in its abstract form and with narrow side down as a balloon). There are some clever and surprising things used to illustrate where shapes can be found, such as the black pentagons found on the typical soccer ball.
As in the Georges’ earlier offerings, Number Work and Letter Work (both 2012), this outing is appropriate for youngsters who have moved beyond the basics. (Board book. 3-6)Pub Date: Aug. 6, 2013
ISBN: 978-1-4197-0935-7
Page Count: 18
Publisher: Abrams Appleseed
Review Posted Online: Aug. 20, 2013
Kirkus Reviews Issue: Jan. 1, 2014
Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their...
Less ambitious than Chris Gall’s widely known Dinotrux (2009) and sequels, this British import systematically relegates each dinosaur/construction-equipment hybrid to its most logical job.
The title figures are introduced as bigger than both diggers and dinosaurs, and rhyming text and two construction-helmeted kids show just what these creatures are capable of. Each diggersaur has a specific job to do and a distinct sound effect. The dozersaurus moves rocks with a “SCRAAAAPE!!!” while the rollersaurus flattens lumps with a cheery “TOOT TOOT!!” Each diggersaur is numbered, with 12 in all, allowing this to be a counting book on the sly. As the diggersaurs (not all of which dig) perform jobs that regular construction equipment can do, albeit on a larger scale, there is no particular reason why any of them should have dinosaurlike looks other than just ’cause. Peppy computer art tries valiantly to attract attention away from the singularly unoriginal text. “Diggersaurs dig with bites so BIG, / each SCOOP creates a crater. // They’re TOUGH and STRONG / with necks so long— / they’re super EXCAVATORS!” Far more interesting are the two human characters, a white girl and a black boy, that flit about the pictures offering commentary and action. Much of the fun of the book can be found in trying to spot them on every two-page spread.
Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their dino/construction kicks. (Picture book. 3-6)Pub Date: April 2, 2019
ISBN: 978-1-9848-4779-9
Page Count: 32
Publisher: Random House
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
BOOK REVIEW
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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