A highly detailed autobiography by a unique figure in American cultural history that will interest historians and...
Hart, in his debut, tells of how his jagged path through the music industry led to heartbreak—but also to happiness.
This snappy yet reflective memoir opens with an episode that’s emblematic of its narrator. While struggling to make it in Hollywood, Hart listened to the radio and detected an unsatisfying insincerity in the DJ’s voice. Hart’s desire for authenticity, and his connections in entertainment, would go on to propel him on a remarkable journey through the music world. He left his hometown of Phoenix to start six months of active duty in the U.S. Army Reserve in Monterey, California, and soon found himself entangled in the glamour and grit of Hollywood—that “circus of extremes for the senses with its bright lights and colorful characters”—while working for a company that manufactured labels for vinyl records. His own recording career, though, began one fateful Saturday, when he booked studio time for himself and became amazed at the possibilities that emerged when he combined his musical background with skillful sound engineering. What followed were years of risk and uncertainty and powerful collaborations with other musicians—as well as love, loss, and friendship. Hart candidly depicts his hyperactive, out-and-about lifestyle as a musician and songwriter who struggled to balance the work that gave his life meaning with his commitment to his family. Sometimes the strain proved too much, and his relationship with his first wife deteriorated as a result. Along the way, countless projects with his songwriting partner, Tommy Boyce, rolled by, as did the tumultuous cultural and historical events of the 1960s. Before long, the duo was writing songs for The Monkees, including “(Theme from) The Monkees,” “Last Train to Clarksville,” and “Valleri.” In the memoir’s most captivating pages, Hart recounts the stratospheric rise of that artificially engineered musical group. Particularly engaging are Hart’s anecdotes about his own songwriting process; he recounts, for instance, that the song fragment that eventually became “Last Train to Clarksville” was inspired by a mishearing of the Beatles’ 1966 single “Paperback Writer.”
A highly detailed autobiography by a unique figure in American cultural history that will interest historians and pop-culture aficionados alike.Pub Date: May 12, 2015
ISBN: 978-1590792902
Page Count: 384
Publisher: SelectBooks
Review Posted Online: April 22, 2015
Kirkus Reviews Issue: June 1, 2015
Review Program: Kirkus Indie
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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