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HONEY & SPICE

Smooth, sophisticated, and sexy.

A Black British university student explores love and friendship on her radio show in this shining romance debut.

Loner Kikiola “Kiki” Banjo is perfectly content with her Switzerland-esque social status at Whitewell College. Uninterested in making any political or social waves, Kiki dedicates all her energy to “Brown Sugar,” her show on the college radio station. Her college, called “Blackwell” by the school’s Black caucus, is home to a number of cliques and queen bees, but Kiki prefers to stay behind the mic when dealing with any drama between Blackwellian babes and the guys she dubs “Wastemen” (“They waste our time. Waste our energy”). Armed with a sharp tongue and her producer/best friend, Aminah, Kiki hopes the show will land her a spot at New York University’s elite summer pop media program, but she needs a community component to really seal the deal. Enter hot transfer Malakai Korede, a film student and “fresh manna from heaven.” Despite his recent arrival, his more-than-good looks and charisma have already pitted the independent Blackwell women against each other, and even Kiki finds it difficult to withstand his effortless charm. After an impromptu make-out session spurs their unexpected friendship, Kiki and Malakai decide to combine forces and fake date to add to the credibility of “Brown Sugar” and provide audio for his romance documentary. Suddenly, the walls Kiki built around herself come tumbling down as her relationship with Malakai turns them into local celebrities, and she must come to terms with what it means to step out from the recording booth and actually be seen. Babalola’s debut novel is lyrical and sincere, her prose rhythmic: “My smile had had enough of being trapped and spilled out, wide and brazen and messy, dripping everywhere. It soaked through my clothes and into my skin.” Kiki is the epitome of cool; her dialogue oozes with confidence, and her biting wit rolls off her tongue with ease—leaving readers wishing they could play her clever disses on repeat like their favorite song.

Smooth, sophisticated, and sexy.

Pub Date: July 19, 2022

ISBN: 978-0-06-314148-3

Page Count: 368

Publisher: Morrow/HarperCollins

Review Posted Online: April 26, 2022

Kirkus Reviews Issue: May 15, 2022

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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