A riveting dramatization of musical history.
A novel that explores the complex relationships among classical composers Johannes Brahms and Robert Schumann and the latter’s pianist/composer wife, Clara.
When Schumann, then a young law student, first meets Clara Josephine Wieck, she’s a 9-year-old child. She’s already gaining a reputation as a pianist, though, and when he sees her play, he comes to the realization that he must devote his own life to music. He convinces Clara’s father, Friedrich, to take him on as a piano student, and he moves in with the family. Gradually, the bond between teenage Clara and Robert becomes romantic, but Friedrich furiously opposes their union and forbids them to see each other. He has reason to believe Robert is dishonorable, and he also thinks that the musician is incapable of adequately supporting his daughter financially. However, after time apart, Clara and Robert commit to each other and plan to marry against her father’s wishes. Friedrich does everything in his power to stop them, including taking them to court. After composer Felix Mendelssohn testifies on Robert’s behalf, Clara and Robert wed, but their relationship remains fraught with challenges. Robert wins fame for his original compositions but is unable to make much of an income, and he’s emasculated by Clara’s superior earning power. Clara, too, becomes frustrated that she’s sacrificed her career for his and frets about his deteriorating mental health. When Robert is committed to an asylum after a failed suicide attempt, his friend Brahms serves as a messenger between him and Clara—and falls deeply in love with her. Author Desai (Dancing about Architecture, 2013, etc.) has produced a magisterial work, which is clearly the result of astonishingly thorough research. Although the story revolves tightly around the three main figures, there are also fascinating cameos by such musical luminaries as Richard Wagner, Franz Liszt, and Fréderic Chopin, and he memorably depicts the ego-driven rivalries between them. Each has a unique personality, and the author does a lovely job of dramatizing their quirks. Still, the character of Clara steals the show, and she emerges from the shadow of her husband’s much grander reputation as a musical genius in her own right.
A riveting dramatization of musical history.Pub Date: June 29, 2015
ISBN: 978-1-5049-1590-8
Page Count: 824
Publisher: AuthorHouse
Review Posted Online: Aug. 15, 2016
Kirkus Reviews Issue: Oct. 1, 2016
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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