Pass this tree and its disagreeable avian tenant by.
A bird is disinclined to share “her” tree with any of the other forest animals.
Bird circles the forest until she finds the perfect tree in which to build her nest. But she’s not the only one who appreciates this particular tree, and the page turns bring new animals to the tree for shelter and shade: Raccoon, Squirrel, Possum (with joeys on her back), Bat, and Baby Bear. Each confronts affronted Bird’s “excuuuuse me” with the titular phrase, adding in each of the animals that came before as well. Though she has her wing cocked on her hip and is full of attitude, Bird allows each to stay: “Fine.” Her annoyance starts to disappear as she looks around at all the animals doing their own thing, and as she watches the sun set, she wishes she had some friends to share it with. Cue the sunrise and a new outlook for Bird. The ending is both abrupt and unrealistic, and Bird shows no true growth. While Benaets’ fauna are adorable, they are not true-to-life and don’t always match the text. Instead of being depicted in a tree hollow, Raccoon dangles his legs over a branch and later falls asleep astride it. Aside from Bat and some mosquitoes, there are no predator-prey issues, and there’s no recognition that some of these animals have opposite sleep-wake schedules. (This book was reviewed digitally.)
Pass this tree and its disagreeable avian tenant by. (Picture book. 3-7)Pub Date: May 23, 2023
ISBN: 9781605378206
Page Count: 32
Publisher: Clavis
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A reassuring riff on embracing imperfections.
A young rabbit frets about her upcoming violin performance in Icelandic singer-songwriter Laufey’s literary debut.
Mei Mei’s dream—“to share her music with the world”—is about to come true. She’s having her very first recital, complete with an orchestra, at the H’Opera House. But the day before the concert, Mei Mei is racked with anxiety. What if she plays a bum note in front of everyone? Sure enough, the worst happens mid-performance: She hits a clinker. But by remembering her mom’s reassuring sentiments from the night before (“Feel the wind…find the notes to make it right”), Mei Mei summons the strength to soldier on, and “wrong notes become right. Dissonance becomes beautiful.” At times, it all feels more like a resilience parable than a story, and the writing can be precious (“The flutter of butterflies wakes Mei Mei from her slumber”). Still, the message is solid, bolstered by O’Hara’s pencil and watercolor illustrations, which are plush-toy soft—fitting, as even prior to this book’s publication, a stuffed Mei Mei has been for sale at Grammy winner Laufey’s website. The tale features an all-animal, all-adorable cast, and endearingly, the art betrays no hint of modern times. A standout image presents Mei Mei onstage, temporarily incapacitated by her mistake and imagining her fellow musicians and their instruments with the color-blasted menace of an expressionist painting.
A reassuring riff on embracing imperfections. (author’s note, glossary) (Picture book. 3-7)Pub Date: April 21, 2026
ISBN: 9798217051748
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
Familiarity breeds a birthday for the ages in this party worth attending.
Don’t let the Pigeon ruin his own special day!
Anyone who has ever encountered the title character in any of his books—whether his first, Don’t Let the Pigeon Drive the Bus (2003), or one of its many sequels—will understand that the bird’s innate self-love drives his every interaction. Little wonder, then, that he’s thrilled about his own “bird-day.” He has the hat. He has his “FANCY PLUMAGE.” And, best of all, he will get to blow out a candle “on my bird-day hot dog!” As he revels in the knowledge that this day is all for him, comeuppance is lurking. Someone has already blown out the bird-day candle—and eaten half the hot dog. It turns out that the Pigeon’s frenemy, the Duckling, has the same bird-day—as do a slew of newly hatched chicks. The Pigeon’s obligatory eight-panel freakout ensues. “What am I—invisible? I just want to be seen,” he whimpers, and when he receives some much-needed reassurance, he settles down and willingly shares his special day. While the switch from unapologetic narcissism to mature acceptance happens in the record-breaking span of two pages, the book is as enchanting as the Pigeon’s earlier outings. Even as it walks in the footsteps of its predecessors, there’s no denying the fun to be had.
Familiarity breeds a birthday for the ages in this party worth attending. (Picture book. 3-6)Pub Date: March 31, 2026
ISBN: 9781454999621
Page Count: 40
Publisher: Union Square Kids
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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