Blunt and bleak, but the vivid, varied cast and palpable sense of connection to the soil give it a stern grandeur.
Social change threatens the longtime residents of Kalamazoo County, Michigan, but the verities of land and love endure—in this dark but finally hopeful debut.
The action covers a single day, October 9, 1999, with the characters’ memories going back to 1930s, when a tornado racked the area after a local schoolteacher was exiled for sleeping with a hired hand; and, farther, to the 1830s, when white homesteaders began to push the Potawatomi Indians off their native terrain. Rachel Crane, 17, is recently married to 50-year-old George Harland—because she wants his land, she tells herself, though we sense that she reciprocates at least a little of George’s deep yearning for her. Asthmatic 12-year-old David Retakker idolizes George, who’s holding on as a farmer while his neighbors sell out to developers. Subdivisions are springing up, peopled by urban transplants who overtax police officer Tom Parks with complaints about burglar alarms set off by raccoons and about the smell of pig manure. The omniscient narrator doesn’t romanticize the way of life these interlopers are destroying: we see drunkenness, bigotry, and cruelty among the locals as well as neuroses and ignorance among the new arrivals. This is a harsh, unforgiving world: when David accidentally sets fire to George’s barn, the narrator informs us, “There was no reason to think that the fire . . . would give a damn about the flesh and bones of one small boy, even if [he] could have kept at bay for another generation the builders and real estate agents who wanted to divide this wide fertile tract into unproductive rectangles and smother it with foundations for homes, concrete driveways, and choking lawns.” But David does survive, provisionally, and the author has so powerfully conveyed her protagonists’ grit and determination that we close the novel feeling they may yet prevail.
Blunt and bleak, but the vivid, varied cast and palpable sense of connection to the soil give it a stern grandeur.Pub Date: Sept. 17, 2002
ISBN: 0-7432-0365-8
Page Count: 224
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2002
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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