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Q ROAD

Blunt and bleak, but the vivid, varied cast and palpable sense of connection to the soil give it a stern grandeur.

Social change threatens the longtime residents of Kalamazoo County, Michigan, but the verities of land and love endure—in this dark but finally hopeful debut.

The action covers a single day, October 9, 1999, with the characters’ memories going back to 1930s, when a tornado racked the area after a local schoolteacher was exiled for sleeping with a hired hand; and, farther, to the 1830s, when white homesteaders began to push the Potawatomi Indians off their native terrain. Rachel Crane, 17, is recently married to 50-year-old George Harland—because she wants his land, she tells herself, though we sense that she reciprocates at least a little of George’s deep yearning for her. Asthmatic 12-year-old David Retakker idolizes George, who’s holding on as a farmer while his neighbors sell out to developers. Subdivisions are springing up, peopled by urban transplants who overtax police officer Tom Parks with complaints about burglar alarms set off by raccoons and about the smell of pig manure. The omniscient narrator doesn’t romanticize the way of life these interlopers are destroying: we see drunkenness, bigotry, and cruelty among the locals as well as neuroses and ignorance among the new arrivals. This is a harsh, unforgiving world: when David accidentally sets fire to George’s barn, the narrator informs us, “There was no reason to think that the fire . . . would give a damn about the flesh and bones of one small boy, even if [he] could have kept at bay for another generation the builders and real estate agents who wanted to divide this wide fertile tract into unproductive rectangles and smother it with foundations for homes, concrete driveways, and choking lawns.” But David does survive, provisionally, and the author has so powerfully conveyed her protagonists’ grit and determination that we close the novel feeling they may yet prevail.

Blunt and bleak, but the vivid, varied cast and palpable sense of connection to the soil give it a stern grandeur.

Pub Date: Sept. 17, 2002

ISBN: 0-7432-0365-8

Page Count: 224

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2002

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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