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Q ROAD

Blunt and bleak, but the vivid, varied cast and palpable sense of connection to the soil give it a stern grandeur.

Social change threatens the longtime residents of Kalamazoo County, Michigan, but the verities of land and love endure—in this dark but finally hopeful debut.

The action covers a single day, October 9, 1999, with the characters’ memories going back to 1930s, when a tornado racked the area after a local schoolteacher was exiled for sleeping with a hired hand; and, farther, to the 1830s, when white homesteaders began to push the Potawatomi Indians off their native terrain. Rachel Crane, 17, is recently married to 50-year-old George Harland—because she wants his land, she tells herself, though we sense that she reciprocates at least a little of George’s deep yearning for her. Asthmatic 12-year-old David Retakker idolizes George, who’s holding on as a farmer while his neighbors sell out to developers. Subdivisions are springing up, peopled by urban transplants who overtax police officer Tom Parks with complaints about burglar alarms set off by raccoons and about the smell of pig manure. The omniscient narrator doesn’t romanticize the way of life these interlopers are destroying: we see drunkenness, bigotry, and cruelty among the locals as well as neuroses and ignorance among the new arrivals. This is a harsh, unforgiving world: when David accidentally sets fire to George’s barn, the narrator informs us, “There was no reason to think that the fire . . . would give a damn about the flesh and bones of one small boy, even if [he] could have kept at bay for another generation the builders and real estate agents who wanted to divide this wide fertile tract into unproductive rectangles and smother it with foundations for homes, concrete driveways, and choking lawns.” But David does survive, provisionally, and the author has so powerfully conveyed her protagonists’ grit and determination that we close the novel feeling they may yet prevail.

Blunt and bleak, but the vivid, varied cast and palpable sense of connection to the soil give it a stern grandeur.

Pub Date: Sept. 17, 2002

ISBN: 0-7432-0365-8

Page Count: 224

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2002

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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