by Bonnie Tsui ; illustrated by Sophie Diao ‧ RELEASE DATE: May 11, 2021
A sunny surf vacation from start to finish.
Sarah Gerhardt is not afraid of heights or speed.
Sarah, whose surname is not provided until the end, began surfing at a young age in Hawaii and quickly learned that she loved surfing big waves most of all, waves as high as 50 feet tall! She learned how to calmly hold her breath when she fell and to be patient finding surfing companions at a time when surfing was a male-dominated sport. Like many girls and women across sports, she had to wear gear and use equipment designed for boys and men. When she moved to California as an adult, she was determined to conquer the Mavericks surf break, and in 1999, she became the first woman to do so, demonstrating that victories can happen every day, not just at major competitions. Diao’s illustrations are extraordinary. Emphasizing the breathtaking landscapes, they treat readers to mostly double-page spreads that allow them to feel like they are in the middle of the ocean with Sarah, who presents White. A stormy scene evokes Hokusai’s Great Wave print. Tsui’s present-tense text effectively conveys Sarah’s determination as well as the excitement of the sport, occasionally ranging to provide needed context, such as the atmospheric conditions that make big waves. A concluding timeline of surfing provides tidbits of Hawaii’s history and indicates that professional surfing is way behind in its quest for equality. (This book was reviewed digitally with 11-by-17-inch double-page spreads viewed at 41.2% of actual size.)
A sunny surf vacation from start to finish. (timeline) (Picture book/biography. 5-9)Pub Date: May 11, 2021
ISBN: 978-1-250-23948-8
Page Count: 34
Publisher: Henry Holt
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
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by Chris Paul ; illustrated by Courtney Lovett ‧ RELEASE DATE: Jan. 10, 2023
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
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by Ruby Bridges ; illustrated by Nikkolas Smith ‧ RELEASE DATE: Sept. 6, 2022
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
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