A substantial debut by a promising and confident new writer.
A story collection exploring issues of anger and loss.
The 14 stories gathered in Felver’s debut take place in rural settings throughout the Midwest, with a few exceptions set in urban locales. Though uniformly well-crafted, these are gritty stories that often touch on brutal subject matter. In their depiction of men dealing with hardship and loss, it’s the raw, sometimes-violent emotions of anger and regret that the author closely examines, and yet there are also genuine moments of poignancy. In “Queen Elizabeth,” one of the standout stories, an unlikely couple’s loving and passionate marriage is increasingly threatened by their class and educational differences until their bond unravels following the death of their young daughter. In “Hide-and-Seek,” the narrator is a middle-aged man who likes to hang out at airport lounges fantasizing about weekend trips with imaginary girlfriends. When he suddenly meets up with his long-estranged brother, they begin to reminisce about their past and a brother who died in an accident in their youth. The narrator slowly gathers that his differences with his brother are less defined than he had imagined, and memories of their brother’s death are equally painful for them both. “It’s sad, but my brother and me can only really talk about three or four different things, and one of them is our dead brother. It’s sad how I can’t punch him either, or maybe how I don’t really want to anymore. I guess I’ve always wanted to know someone else was still miserable about all of it, but now that it’s happening, it’s a nasty business.” Felver’s writing is sharp and insightful. His stories evoke the style and themes of writers ranging from Richard Russo to Rick Bass to Andre Dubus III and, in the particularly brutal surrealist title story, “The Dogs of Detroit,” Cormac McCarthy.
A substantial debut by a promising and confident new writer.Pub Date: Sept. 9, 2018
ISBN: 978-0-8229-4542-0
Page Count: 200
Publisher: Univ. of Pittsburgh
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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