by Brad Leithauser ‧ RELEASE DATE: Feb. 22, 1995
The subjects in this collection of scrupulous, varied, but sometimes ephemeral essays from poet and novelist Leithauser (Seaward, 1993, etc.) range from mathematical to literary creativity, from Japan to Iceland. Whether writing about his intellectual leanings or new locations, Leithauser has a bifurcated, paradoxical attraction to the rational and the irrational, but he can cleverly isolate the rarefied points of their intersection: computerized chess, the literature of science biographies, the freewheeling quantum prose of Italo Calvino, the ratiocinated ghost stories of Henry James, the enigmatic novels of Kobe Abe. The collection's best is a lengthy piece of New Yorker reportage on a computer chess tournament, which is replete with astute, poetic reflections on mathematics, artificial intelligence, and human creativity. In lesser pieces, apart from functional but disposable book reviews, Leithauser courts the supererogatory (detailed but unexceptional essays on H.G. Wells, Thomas Pynchon, and, his personal favorite, Icelandic Nobel laureate Halldor Laxness) as well as the merely idiosyncratic (reviews of Colin Martindale's statistics-based aesthetics in The Clockwork Muse or Austin Wright's cult-novel utopia, Islandia). In ``Places,'' Leithauser tellingly opens with the multiple expatriate Lafcadio Hearn, who popularized Japan at the turn of the century but, he notes, could not truly penetrate the Meiji zeitgeist. Leithauser's own, literate forays into Japan popularize its more important, relatively unexported pre- and postwar authors, such as recent Nobel Prize winner Abe (now slightly less obscure in America). Though under-represented by comparison, Iceland benefits more than Japan from Leithauser's literary approach to its history and carefully preserved language. As Leithauser remarks about his attraction to Iceland (and by extension, all the topics here), he needs subjects remote from his experience and literary tradition, a guiding principle that leads both to exotic insights and, occasionally, to the abstruse.
Pub Date: Feb. 22, 1995
ISBN: 0-679-42998-0
Page Count: 352
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1995
Share your opinion of this book
More by Brad Leithauser
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
Share your opinion of this book
More by E.T.A. Hoffmann
BOOK REVIEW
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
Share your opinion of this book
More by Ludwig Bemelmans
BOOK REVIEW
developed by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.