A bravura debut.
Hepner debuts with a deeply moving and intellectually profound novel built on the iconic myth of the American West.
Think McMurtry’s The Last Picture Show or Horseman, Pass By. Hepner’s tale is set in the sparsely populated land north of the Great Salt Lake, where the descendants of Mormon pioneers now cultivate the land along a river, in their blood a consciousness of "the wildness of the desert.” The nearest town, "a passing-over place," is derelict but for a liquor store and co-op. Jack Selvedge, 21, parents dead a decade, works his grandfather’s acreage milking a hard living from 100 dairy cows. Jack’s uncle, fragile, often ill, helps only a bit. Jack expects to inherit half the land, but his grandfather betrays that implicit promise. Jack’s life grows more complicated when "beautiful…untouchable" Rebekah Rainsford and her mother return, fleeing an abusive father. Comprehending "how tenuous a thing was farming in the desert" and dealing with off-farm opportunities to set out on his own, Jack strides the pages, his unquenchable passion for damaged, fragile Rebekah burning, but he remains rooted in the land, understanding that farming is "the only true salvation he’d ever known." Bitter over his grandfather’s duplicity, Jack’s love for Rebekah fractures his hardened heart and touches his soul. Other characters—Blair, the widowed, flint-hard grandfather; Seth, a teen seeking the danger of rodeo bull-riding to escape; and especially Jack’s best friend, Heber, "a failed promise, a talented squanderer"—range through the narrative with impeccable authenticity. After a second, shattering betrayal, Jack leaves the farm to wander the high desert in a spiritual odyssey. Hepner draws a narrative exploring the existential angst smoldering in the rural West as family farmers who hold stewardship of the land confront social and economic conditions beyond their control.
A bravura debut.Pub Date: Sept. 9, 2014
ISBN: 978-1-937226-39-8
Page Count: 360
Publisher: Torrey House Press
Review Posted Online: July 30, 2014
Kirkus Reviews Issue: Aug. 15, 2014
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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BOOK TO SCREEN
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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