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WHEN LILACS LAST IN THE DOORYARD BLOOMED

A worthy historical-fiction exploration of the African-American struggle for freedom.

In Greenburg’s debut, the McGhee family wends its way from Alabama slavery to Nashville’s unstable freedom to a hard-earned Indiana farm, never fully escaping Jim Crow’s shadows.

The Civil War over, James and Lily McGhee, with his parents, Amos and Clara, want land. Both men are woodworkers where there’s no work for blacks. The family settles briefly in Tennessee, and James’ oldest son, Clayton, whose point of view powers the narrative, finds a job in a mercantile store. James rides to Indiana searching for farmland, facing prejudice at every point, until LaFayette, where he stops two ruffians from committing rape. He’s jailed for his trouble, but after the affair is sorted out, he finds a derelict farm outside town. He’s also made a friend of the local sheriff, Colegrove, one of many intriguing characters who appear, play a pivotal, solid role, and then frustratingly disappear: Nashville storekeeper, Miss Lenore; Moberly, Fabrizio, and the Llewellyns, whites who help defend the McGhees when brutes acting for the rich Henderson Jeffries attack their farm; and Judah Furnish, a psychologically damaged veteran symbolic of war’s tragedies. Greenburg’s familiarity with the locale lends credence. His characterization of the McGhees and their enemies, the Jeffries, are of a type but nuanced. Other characters—an Irish gangster, a good-hearted Polish teamster—are more familiar. Leaping forward, the second portion compresses multiple years into exposition, establishing conflict between Henderson’s son, Peter, and Clayton. Peter schemes with the KKK–like Horse Thief Detective Association to seize Clayton’s farm. The drama here focuses more on the Jeffries family, with unhappy, laudanum-addicted mother Annabelle's fight to wrench her son from his father’s influence overshadowing the book's most powerful element—the post-bellum battle of African-Americans to prosper against prejudice: "Without your fear they have to kill you to stop you getting on with your life."

A worthy historical-fiction exploration of the African-American struggle for freedom.

Pub Date: Dec. 2, 2014

ISBN: 978-1-908737-87-8

Page Count: 450

Publisher: Dufour

Review Posted Online: Oct. 22, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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