An influential media commentator on racial justice explores politics and Black voters in this sharp blend of memoir and cultural criticism.
In her debut book, Collins-Dexter, a visiting fellow at the Harvard Kennedy School’s Shorenstein Center on Media, Politics and Public Policy, chronicles her “journey to get to the heart of Black political identity, a process that involved extensive interviews with Black people from all across the ideological spectrum.” She narrates a powerful story “about a Black America that had become disillusioned with the failed promises of their country.” In the 1960s, before it became known for White nationalism, the skinhead movement was a political movement comprised of the British working class, most of whom felt “left behind” and disillusioned by economic and political infrastructures. The author uses this idea as a launching pad to deconstruct a host of cultural frameworks involving politics and place in communities around the U.S., and she offers a well-rendered critique of the implicit attitude that Black voters prefer Democrats or Black candidates. Through the lens of Black voters, Collins-Dexter examines often complex political concepts in an accessible way—Kanye West’s troubling persona is a recurring topic—but the rigor of her scholarship is never in question. In the section on populism, the author employs wrestling lingo and characters from the World Wrestling Federation to describe political ideology from the left and right. “With its exaggerated narratives of good, evil, and the struggle of the everyman,” she writes, “[wrestling] is the perfect way to understand populism—its pitfalls and its undeniable draw.” Reminiscent of Notes From No Man’s Land, by Eula Biss, this collection is well constructed and incisively argued. Collins-Dexter begins and ends with poignant memories of her father, effectively tying the personal to the universal. Featuring a vivid mix of hard data, anecdotal details, and scholarly research, this book is a must-read for anyone interested in politics and Black lives in America.
A remarkable work that leaves us feeling hopeful for change.