Sharply drawn reflections on identity fluidity, stereotypes, marginalization, and cultural assumption.
Writers explore how and why the phenomenon of “passing” both shocks and fascinates.
Skyhorse (English/Indiana Univ.; Take This Man, 2014, etc.) and Page (Creative Writing and English/George Washington Univ.) assemble a collection of 15 authentic narratives about how people attempt to “win access to the specific life they want, the ultimate form of assimilation, the pure embodiment of the American Dream,” by assuming to be a class or race they are inherently not. Both of the editors know this particular form of “reinvention” well and contribute their perspectives in highly personal essays. Skyhorse, who received his name from his mother “after my Mexican biological father abandoned us,” opens with reflections on how he, as a Mexican-American with the surname Ulloa, passed himself as an American Indian on his college applications. Page chronicles how her black great-grandmother passed for white in Mississippi in order to get a college education. The editors agree that “each of us sometimes employs misdirection to let someone jump to a different conclusion about who we are.” Racial passing also plays a key role in Achy Obejas’ tender recollection of how her Cuban-born father reinvented his “Third World soul” to create a better future for his family in America and in Marc Fitten’s excavation of his familial roots as an urgent preventative tool against diseases predisposed to Asian culture, which his great-grandfather went to great lengths to blur. Class-crossing comes into play in poet Patrick Rosal’s address to a woman who mistook him for a waiter at the National Book Awards. Sexuality passing became tantamount when M.G. Lord suppressed her lesbian leanings in favor of “appropriate feelings towards men” while at Yale, until she fell in love with a woman. In presenting these insightful, provocative life experiences, the editors give inquisitive readers (some of whom may be passing themselves) nutritious food for thought. Other contributors include Margo Jefferson, Susan Golomb, and Sergio Troncoso.
Sharply drawn reflections on identity fluidity, stereotypes, marginalization, and cultural assumption.Pub Date: Oct. 10, 2017
ISBN: 978-0-8070-7898-3
Page Count: 224
Publisher: Beacon Press
Review Posted Online: July 23, 2017
Kirkus Reviews Issue: Aug. 15, 2017
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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