This twisty thriller sows the seeds of an engrossing dystopian saga.
In a post-apocalyptic world, some stragglers must find out what they are made of in this series opener.
When Brian Rhodes and his cousin Steven Driscoll emerge from their hiding place, it’s been two years since a deadly virus spread across the globe, eradicating most of the inhabitants. Brian and Steven are two of the lucky ones. Their uncle, a high-ranking American government official named Lt. Gen. Albert Driscoll, built them a bunker deep in the South and gave them instructions to reunite with Steven’s sister, Bethany, then journey to an agreed-upon location. In British Columbia, Simon Kalispell is working with a similar plan. The earthy Simon comes from a rich, well-connected family that thought his best bet at survival would be to tough it out in a remote cabin and reunite with the clan later. Each survivor is heading east, where, unbeknown to them, Albert has attempted to create some semblance of a government. But as any good dystopian narrative knows, where there’s weakness, there’s division. While Albert and his men try to restore peace, others believe they require increased militarization to mobilize against the outside world, full of haphazard gangs, cannibals, and sadists struggling to survive. These are the conditions Brian, Steven, and Simon meet as they struggle to make it across country, and their survival depends on making the right choices. Zenner (Whiskey Devils, 2016, etc.) skillfully shows how desperate conditions can force good people to do bad things, and bad people to do even worse deeds. But while Brian, Steven, and Simon are all richly shaded, the secondary characters are not as fully developed. Along the way, Brian collects Bethany and a female friend. The women are vague in characterization (tough and capable in one moment; weepy or shy the next), which leaves their subsequent romantic arcs seeming obligatory and one-dimensional. This kind of indistinct worldbuilding plagues an otherwise promising novel about the limits of humanity in trying times. With more books planned for the series, this may yet be corrected.
This twisty thriller sows the seeds of an engrossing dystopian saga.Pub Date: June 30, 2017
ISBN: 978-0-692-90762-7
Page Count: 444
Publisher: Time Tunnel Media
Review Posted Online: Dec. 11, 2018
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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