by Bree Despain ‧ RELEASE DATE: March 11, 2014
An overcrowded modern romance equally inspired by ancient Greece and Glee.
A singer and a soldier boy re-enact and rework classic Greek myths in this lengthy series opener.
Daphne Raines loves her down-to-earth mother, Demi, and their safe haven in Ellis Fields, Utah. Nevertheless, she moves to Olympus Hills, Calif., with her estranged rock-star father, Joe Vince, in hopes of herself becoming a star. Likewise, Haden Lord wants to please his regal father, overcome his (slowly revealed) childhood trauma and regain his position in the Underrealm court, even if he has to go topside and persuade a girl to return with him to the land of the dead. Mirroring their alternating (and sometimes overlapping) narratives and music lessons, they first clash and then begin to harmonize in their shared adventure. While their fish-out-of water experiences would have been sufficient material for a first installment, Despain attempts to layer apocalyptic deadlines and a convoluted tale of the prophecied Cypher who can find the lost Key of Hades atop reinterpretations of the tales of Orpheus and Persephone. Daphne and Haden occasionally surprise, but they are ultimately a standard heroine and hero. Naturally and supernaturally attuned to the music of the world, Daphne is inexplicably and irritatingly special, while her counterpart, Haden, is darkly handsome as well as sensitive but scarred.
An overcrowded modern romance equally inspired by ancient Greece and Glee. (Paranormal romance. 12 & up)Pub Date: March 11, 2014
ISBN: 978-1-60684-247-8
Page Count: 512
Publisher: Egmont USA
Review Posted Online: Dec. 17, 2013
Kirkus Reviews Issue: Jan. 15, 2014
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by Adam Silvera ‧ RELEASE DATE: May 6, 2025
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Lauren Roberts ‧ RELEASE DATE: Nov. 7, 2023
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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