by Brenda Hamilton ‧ RELEASE DATE: N/A
This insightful, often charming book has much to offer anyone seeking to improve how learning occurs, whether one shares...
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A utopian manifesto for replacing compulsory education with self-driven, lifelong learning.
In this erudite but quixotic debut, Hamilton offers a blueprint for franchised learning centers aimed at supplanting traditional schools and revolutionizing society. Physically, her “prepared learning environment” blends elements of libraries, museums, theaters, fitness clubs, and shopping centers to create what she calls a “mall for the mind”—storehouses of knowledge categorized into 33 “loggia,” or galleries, around a central atrium. A bucolic campus features organic farming, unspoiled woodlands, dormitories for students, an inn for visitors, and cottages for seniors, who serve as mentors. Functionally, it abandons regimented classrooms, curricula, and tests that Hamilton persuasively argues suffocate youngsters’ inborn thirst for discovery. According to her plan, learners set the focus and pace of their own studies. She writes that she received this vision while observing her own two children as babies in 1968. After decades working as a teacher, earning a master’s degree in educational administration, and serving on a Tennessee state school board, she gave up on reforming the existing educational model to invent a new one. Here, she deploys a wealth of pedagogical research in the main text and a feast of on-point quotes in the margins. She skewers the status quo with clear examples, cogent analysis, and gentle humor. As she describes her alternative, her prose acquires a dreamlike quality; indeed, she paints scenes so idyllic that they may seem unattainable to readers lacking her passion. Learners “will never feel a single moment of boredom,” adolescents in the dorms “are up early and to bed early, and “ ‘Havenotness’ will become a distant memory of our culture.” Building even a single prototype appears daunting, though she makes a reasonable feasibility pitch. Imagining these centers replacing more than 129,000 K-12 schools in the United States, though, is harder. Unlike the current 98,000-plus public schools, center memberships would be conditional (“based upon training and proven mastery of the two rules of respect and order”) and available to children of all ages. Overall, though, it’s difficult to conceive of them as ever being more than luxury alternatives. For society to embrace such educational autonomy, an absence of grades and standardized credentials would seem as much a precondition for their growth as a result. Still, her remedies shed light on many current problems.
This insightful, often charming book has much to offer anyone seeking to improve how learning occurs, whether one shares Hamilton’s vision or not.Pub Date: N/A
ISBN: 9780983011552
Page Count: -
Publisher: Periploi Press
Review Posted Online: Aug. 15, 2016
Review Program: Kirkus Indie
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by Elijah Wald ‧ RELEASE DATE: July 25, 2015
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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