A nostalgic and intriguing story that blends a modern-day love triangle with details from Audrey Hepburn’s life.
A chef tries to save her childhood home and juggles the affections of two men from her past in this updated take on the Audrey Hepburn film Sabrina.
Emma Jansen owns a successful catering business that serves some of the most exclusive parties in New York, but she can’t escape the pull of her childhood home in Glen Cove. It wasn’t exactly her home—her parents were the hired help, and Emma lived with them in an apartment above the garage. The Audrey Hepburn Estate (so named because it shares an address with the house in the film Sabrina) was the site of some of her most cherished memories—and some of her most painful ones. She was desperately in love with Henry van der Wraak, the grandson of the estate’s owners. She also formed a deep friendship with Leo L’Unico, the son of the van der Wraaks’ driver. Now, years later, Leo is a developer intent on demolishing the estate so he can build a luxury apartment complex. Emma reconnects with Henry in her attempt to save the house from destruction, but excavating her past brings buried secrets to the surface. She still has complicated feelings for both Henry and Leo, but managing the affections of two men is far from her only problem. Emma also discovers some secrets about the estate that call into question everything she’s ever believed about her own family. Janowitz weaves in details about Audrey Hepburn’s films and also the actor's real life, including her childhood in Holland during World War II. Although the chemistry between Emma and her two love interests never quite ignites, Emma’s journey to let go of her past and solve the mystery of the estate is full of interesting historical details. Janowitz includes a fascinating author’s note that explains Hepburn’s struggle during the war as well as the many easter eggs that appear in the text.
A nostalgic and intriguing story that blends a modern-day love triangle with details from Audrey Hepburn’s life.Pub Date: April 18, 2023
ISBN: 9781525811487
Page Count: 304
Publisher: Graydon House
Review Posted Online: Feb. 7, 2023
Kirkus Reviews Issue: March 1, 2023
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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