Despite its rush to the end, this novel delivers poignant universal truths about familial love and conflict in a story that...
This Passover, Sylvia Gold has only one thing on her mind: how can she impress her youngest daughter Becca’s new beau and his family, an old-money banking dynasty that dates back to New York’s gilded age?
For many mothers it would have been enough to have three healthy, successful grown children, two of whom have followed in their father’s footsteps and pursued careers in medicine. It would have been enough to have an adoring husband who finds her social-climbing antics endearing. And it would have been enough to have a beautiful home in Greenwich, Connecticut, and want for nothing. But Sylvia has never been one to say dayenu, the traditional Passover prayer of gratitude and contentment. The neurotic matriarch works herself into a tizzy to win over potential in-laws Edmond and Ursella Rothchild and their boorish son, Henry. This does not sit well with daughter Sarah, whose blue-collar boyfriend, Joe, has always been treated like chopped liver. Novelist Janowitz (Lonely Hearts Club, 2015, etc.) adds to the family drama by setting places at the Seder table for wayward son Gideon and his surprise fiancee, Malika, who's African-American, and for Joe’s boisterous mother, Valentina, whose husband is up the river—and not the Nile. With an impeccable eye for detail, Janowitz skillfully creates scenarios and relationships so authentic that they're simultaneously hilarious and cringe-worthy. Equally compelling is the cast of emotionally complex, nuanced characters who are lovable even at their most exasperating. The only shortcoming with this dramedy is that it finishes too quickly, the conclusion reading more like a chapter ending than the wrap-up this tale deserves.
Despite its rush to the end, this novel delivers poignant universal truths about familial love and conflict in a story that will have readers eagerly turning every delicious page. Thoroughly kosher.Pub Date: April 12, 2016
ISBN: 978-1-250-00787-2
Page Count: 256
Publisher: St. Martin's Griffin
Review Posted Online: Jan. 20, 2016
Kirkus Reviews Issue: Feb. 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Hoffman (The Red Garden, 2011, etc.) births literature from tragedy: the destruction of Jerusalem's Temple, the siege of Masada and the loss of Zion.
This is a feminist tale, a story of strong, intelligent women wedded to destiny by love and sacrifice. Told in four parts, the first comes from Yael, daughter of Yosef bar Elhanan, a Sicarii Zealot assassin, rejected by her father because of her mother's death in childbirth. It is 70 CE, and the Temple is destroyed. Yael, her father, and another Sicarii assassin, Jachim ben Simon, and his family flee Jerusalem. Hoffman's research renders the ancient world real as the group treks into Judea's desert, where they encounter Essenes, search for sustenance and burn under the sun. There too Jachim and Yael begin a tragic love affair. At Masada, Yael is sent to work in the dovecote, gathering eggs and fertilizer. She meets Shirah, her daughters, and Revka, who narrates part two. Revka's husband was killed when Romans sacked their village. Later, her daughter was murdered. At Masada, caring for grandsons turned mute by tragedy, Revka worries over her scholarly son-in-law, Yoav, now consumed by vengeance. Aziza, daughter of Shirah, carries the story onward. Born out of wedlock, Aziza grew up in Moab, among the people of the blue tunic. Her passion and curse is that she was raised as a warrior by her foster father. In part four, Shirah tells of her Alexandrian youth, the cherished daughter of a consort of the high priests. Shirah is a keshaphim, a woman of amulets, spells and medicine, and a woman connected to Shechinah, the feminine aspect of God. The women are irretrievably bound to Eleazar ben Ya'ir, Masada's charismatic leader; Amram, Yael's brother; and Yoav, Aziza's companion and protector in battle. The plot is intriguingly complex, with only a single element unresolved. An enthralling tale rendered with consummate literary skill.
Pub Date: Oct. 4, 2011
ISBN: 978-1-4516-1747-4
Page Count: 512
Publisher: Scribner
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.
A Christian woman and a Jewish man fall in love in medieval France.
In 1088, a Christian girl of Norman descent falls in love with the son of a rabbi. They run away together, to disastrous effect: Her father sends knights after them, and though they flee to a small southern village where they spend a few happy years, their budding family is soon decimated by a violent wave of First Crusaders on their way to Jerusalem. The girl, whose name becomes Hamoutal when she converts to Judaism, winds up roaming the world. Hertmans’ (War and Turpentine, 2016, etc.) latest novel is based on a true story: The Cairo Genizah, a trove of medieval manuscripts preserved in an Egyptian synagogue, contained an account of Hamoutal’s plight. Hamoutal makes up about half of Hertmans’ novel; the other half is consumed by Hertmans’ own interest in her story. Whenever he can, he follows her journey: from Rouen, where she grew up, to Monieux, where she and David Todros—her Jewish husband—made a brief life for themselves, and all the way to Cairo, and back. “Knowing her life story and its tragic end,” Hertmans writes, “I wish I could warn her of what lies ahead.” The book has a quiet intimacy to it, and in his descriptions of landscape and travel, Hertmans’ prose is frequently lovely. In Narbonne, where David’s family lived, Hertmans describes “the cool of the paving stones in the late morning, the sound of doves’ wings flapping in the immaculate air.” But despite the drama of Hamoutal’s story, there is a static quality to the book, particularly in the sections where Hertmans describes his own travels. It’s an odd contradiction: Hertmans himself moves quickly through the world, but his book doesn’t quite move quickly enough.
Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.Pub Date: Feb. 4, 2020
ISBN: 978-1-5247-4708-4
Page Count: 304
Publisher: Pantheon
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK REVIEW
BOOK REVIEW
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