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LOOP

An intimate book that starts small and expands steadily outward, with a cumulative effect both moving and hopeful.

Winner of a PEN Translates award and the first of Mexican author Lozano's works to appear in English, this novel assumes the shape of a diary kept by a young woman in Mexico City.

When her boyfriend, grieving his mother's death, leaves for Spain on a family trip, the unnamed narrator is left waiting for him to return. Before falling in love with Jonás, she suffered a serious accident in which she nearly died. Writing short entries in her diary, she details her quest to find the perfect notebook, muses on music she loves, and notes conversations with friends and books she's reading, the apartment she and Jonás share, the news. The deceptively simple structure—intimate, charming, informal—allows for a great range of ideas and observations that loop and recur. If you are in danger of drowning, she learns, swim not forward but diagonally. "How do you swim diagonally in life?" she wonders, feeling as if the shore keeps getting farther away. A writer, she enthusiastically references everything from Greek mythology and the Bible to Proust, Machado de Assis, Disney, and Shakira. She is fascinated by ideas of scale, by the concept of the ideal, by the epidemic of violence in Mexico, the history of writing, art, gossip, waiting. She observes the cat, Telemachus; goes out with friends; travels to writing conferences; wonders if Penelope masturbated while waiting for Odysseus. She tells about “The Most Important Artist in Mexico” and invents "notebook proverbs": "The man in a suit walks to work, but the omniscient narrator describes him." She is skeptical of "useful things. Useful work, useful thoughts, useful phrases. Stories in which everything happens. A society that worships the verb. The famous concept of utility, the pursuit of usefulness." "I worship the margins," she tells us, "the secondary, the useless." Because "the more useless something is, the more subversive." With a light, playful touch, Lozano richly layers scenes and details, connecting ideas and weaving her story like Penelope at her loom.

An intimate book that starts small and expands steadily outward, with a cumulative effect both moving and hopeful.

Pub Date: June 15, 2021

ISBN: 978-1-9164-6564-0

Page Count: 184

Publisher: Charco Press

Review Posted Online: March 30, 2021

Kirkus Reviews Issue: April 15, 2021

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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