by Brenda Peterson ‧ RELEASE DATE: March 1, 2004
Provocative in the best sense: it gets the reader mad enough to care.
Strangely gratifying narratives never quite gel and yet stand ably and intriguingly on their own six feet: love story, natural-history lesson, mysticism, direct-action radical politics, xenotransplantation, and redemption.
Sea creatures are stranding themselves on the beaches of Oregon, causing no little pain to Isabel Spinner, forensic wildlife pathologist and lover of the ocean. From the evidence, she suspects foul play, likely something to do with Navy sonar experiments. Enter Marshall McGreggor, underwater photographer and friend of Isabel’s brother. Though both of them have hair to die for (she, “wild, kinky curls” of auburn, he, “unruly black hair too beautiful, thick, and curly for a man”—he also, ahem, works for National Geographic and is “as reliable as the weather”), their relationship is hardly combustible. They have too much emotional baggage for any lasting commitment—damaged goods, but near-perfect ones: gorgeous, talented, tuned to the music of the spheres. And he has the heart of a baboon—literally, having gotten it by transplant after a heart attack—which seems to give him out-of-body episodes that take him back to the African savannah and on a quest to find the matriarch of his clan. Yet, despite the often irritating, repining tone, Isabel and Marshall are appealing because of the ballast of their emotional disorders and the righteousness of their cause: to protect wildlife from the ravages of man. Novelist and memoirist Peterson (Build Me an Ark, 2001, etc.) is most comfortable in the precincts of natural history, where the book draws its passion. Though she can wear her learning like a wooden yoke (“ ‘Snow can’t melt on wolf’s fur,’ Isabel commented”), she writes with force and concision about poachers and the hugely destructive recklessness of military testing.
Provocative in the best sense: it gets the reader mad enough to care.Pub Date: March 1, 2004
ISBN: 1-57805-108-8
Page Count: 288
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2004
Share your opinion of this book
More by Brenda Peterson
BOOK REVIEW
by Brenda Peterson ; illustrated by Ed Young
BOOK REVIEW
by Brenda Peterson ; illustrated by Wendell Minor
BOOK REVIEW
by Brenda Peterson ; photographed by Annie Marie Musselman
by Lulu Miller illustrated by Kate Samworth ‧ RELEASE DATE: April 14, 2020
A quirky wonder of a book.
A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.
Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.
A quirky wonder of a book.Pub Date: April 14, 2020
ISBN: 978-1-5011-6027-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 1, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Share your opinion of this book
More by Lulu Miller
BOOK REVIEW
by Lulu Miller ; illustrated by Hui Skipp
by Patrik Svensson translated by Agnes Broomé ‧ RELEASE DATE: May 5, 2020
Unsentimental nature writing that sheds as much light on humans as on eels.
An account of the mysterious life of eels that also serves as a meditation on consciousness, faith, time, light and darkness, and life and death.
In addition to an intriguing natural history, Swedish journalist Svensson includes a highly personal account of his relationship with his father. The author alternates eel-focused chapters with those about his father, a man obsessed with fishing for this elusive creature. “I can’t recall us ever talking about anything other than eels and how to best catch them, down there by the stream,” he writes. “I can’t remember us speaking at all….Because we were in…a place whose nature was best enjoyed in silence.” Throughout, Svensson, whose beat is not biology but art and culture, fills his account with people: Aristotle, who thought eels emerged live from mud, “like a slithering, enigmatic miracle”; Freud, who as a teenage biologist spent months in Trieste, Italy, peering through a microscope searching vainly for eel testes; Johannes Schmidt, who for two decades tracked thousands of eels, looking for their breeding grounds. After recounting the details of the eel life cycle, the author turns to the eel in literature—e.g., in the Bible, Rachel Carson’s Under the Sea Wind, and Günter Grass’ The Tin Drum—and history. He notes that the Puritans would likely not have survived without eels, and he explores Sweden’s “eel coast” (what it once was and how it has changed), how eel fishing became embroiled in the Northern Irish conflict, and the importance of eel fishing to the Basque separatist movement. The apparent return to life of a dead eel leads Svensson to a consideration of faith and the inherent message of miracles. He warns that if we are to save this fascinating creature from extinction, we must continue to study it. His book is a highly readable place to begin learning.
Unsentimental nature writing that sheds as much light on humans as on eels.Pub Date: May 5, 2020
ISBN: 978-0-06-296881-4
Page Count: 256
Publisher: Ecco/HarperCollins
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
Share your opinion of this book
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.