A sparkling, strange, and enthralling debut from a vivid new voice in contemporary fiction.
Sixteen genre-bending stories as substantial as they are superbly crafted.
Melding science fiction, fantasy, fable, and legend with atmospheric prose, these stories touch on a wide range of topics: immigration, race, climate change, the inexorable millennial hustle, influencers, gun culture, and the fraught, electric urgency of friendship between adolescent girls. In "Thoughts and Prayers," silent, guano-dripping angels preside over a suburban neighborhood, their "pale humanoid faces and downy bird bodies perched beside our chimneys," each believed to bring blessings or misfortune to the family that resides beneath it. "Yaiza" deftly examines class tensions and the myth of meritocracy against a backdrop of tennis court rivalry between two preteen girls: Yaiza, a "scholarship girl," and the narrator, whose family has hired Yaiza's grandmother as their latest housekeeper. In "The Great Escape," the narrator's great-aunt, spurred by paranoia brought on by Alzheimer's and a long-ago forced marriage to the nephew of Rafael Trujillo, locks herself in her apartment with increasingly intricate and impenetrable devices. Once an aspiring artist who was left with no medium to ply but the life and belongings she carefully curated, she now "lost things so diligently it was like a religion," as she herself is being erased by loss, time, greed, and, finally, disease. "The Kite Maker"—set 12 years after the arrival and widespread massacre of a buglike alien species that crash-landed on Earth after their home planet was destroyed by an asteroid—looks at xenophobia and personal and collective cruelty and responsibility in the aftermath of tectonic shifts to the old social order. And in "The Rock Eaters," a generation of Latin American island dwellers who, as adolescents, developed the ability to float, "discovering [they] could fly as far as [they]’d ever wanted," returns to their home island, bringing their foreign-born children and gifts for their parents of "fancy foreign clothes we...couldn’t really afford...to show them we’d been right all this time to have flown away." During their visit, some of the children begin to develop their own flying abilities, but unlike their parents, they tether themselves to their abandoned ancestral lives and land, eating rocks and soil to keep themselves from drifting away.
A sparkling, strange, and enthralling debut from a vivid new voice in contemporary fiction.Pub Date: May 11, 2021
ISBN: 978-0-14-313562-3
Page Count: 288
Publisher: Penguin
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
A moving, hilarious reminder that parenthood, just like life, means constant change.
During an annual beach vacation, a mother confronts her past and learns to move forward.
Her family’s annual trip to Cape Cod is always the highlight of Rocky’s year—even more so now that her children are grown and she cherishes what little time she gets with them. Rocky is deep in the throes of menopause, picking fights with her loving husband and occasionally throwing off her clothes during a hot flash, much to the chagrin of her family. She’s also dealing with her parents, who are crammed into the same small summer house (with one toilet that only occasionally spews sewage everywhere) and who are aging at an alarmingly rapid rate. Rocky’s life is full of change, from her body to her identity—she frequently flashes back to the vacations of years past, when her children were tiny. Although she’s grateful for the family she has, she mourns what she’s lost. Newman (author of the equally wonderful We All Want Impossible Things, 2022) imbues Rocky’s internal struggles with importance and gravity, all while showcasing her very funny observations about life and parenting. She examines motherhood with a raw honesty that few others manage—she remembers the hard parts, the depths of despair, panic, and anxiety that can happen with young children, and she also recounts the joy in a way that never feels saccharine. She has a gift for exploring the real, messy contradictions in human emotions. As Rocky puts it, “This may be the only reason we were put on this earth. To say to each other, I know how you feel.”
A moving, hilarious reminder that parenthood, just like life, means constant change.Pub Date: June 18, 2024
ISBN: 9780063345164
Page Count: 240
Publisher: Harper/HarperCollins
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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