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WHITE HEAT

THE FRIENDSHIP OF EMILY DICKINSON & THOMAS WENTWORTH HIGGINSON

A moving portrait of two unalike but kindred spirits who did indeed “Dare [to] see a Soul at the ‘White Heat.’ ”

The editor criticized for dumbing down the great American poet’s work gets a fairer assessment from literary biographer Wineapple (Hawthorne, 2003, etc.).

Dickinson (1830–86) wrote her first letter to Higginson (1823–1911) in 1862, coyly asking, “Are you too deeply occupied to say if my Verse is alive?” She had not chosen him at random; known as an ardent proponent of women’s rights, he had just published an article in the Atlantic Monthly offering advice to aspiring writers. Higginson responded positively, but advised Dickinson to “delay” publication and made some attempts to regularize her unconventional prosody and punctuation. Ever since, scholars have depicted him as the clueless Victorian who condescended to genius. On the contrary, Wineapple demonstrates in her astute assessment of their quarter-century epistolary relationship (they met in person only a few times), he was in awe of her from the beginning, well aware that his considerable gifts as a polemicist and essayist paled in comparison to her brilliance. Quoting extensively from Dickinson’s letters to Higginson and the poems she enclosed in them (his side of the correspondence has been lost), the author shows a powerful—and sexually suggestive—writer who disguised her forcefulness in coquettish, sometimes simpering prose. Higginson was not fooled. He had never met anyone “who drained my nerve power so much,” he wrote to his wife after their first meeting. “I am glad not to live near her.” At a safe distance, he relished the privilege of being the favored recipient of “thoughts of such a quality.” Wineapple never makes quite clear what Higginson gave the poet other than a sympathetic ear, and she devotes too many pages to his ardent abolitionism, which had little impact on Dickinson. Still, she paints a warm portrait of an honorable man remarkably free from the prejudices of his time whose appeal for his sequestered friend—and appreciation of her artistry—is evident. The biographer blames co-editor Mabel Loomis Todd for most of the editorial meddling in the posthumous 1890 and 1891 editions of Dickinson’s work.

A moving portrait of two unalike but kindred spirits who did indeed “Dare [to] see a Soul at the ‘White Heat.’ ”

Pub Date: Aug. 13, 2008

ISBN: 978-1-4000-4401-6

Page Count: 368

Publisher: Knopf

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: June 15, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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