How the Ramones (and rock’s original anti-heroes, The Who) save the day, is the pleasing twist to this sweet...
Boy meets God, boy gets girl, boy loses girl and God, all to a soundtrack by Dee Dee Ramone.
When Francis Kelly was a kid, he had one of those religious experiences his older sister Clare had read about but never believed could really happen . . . but it did. Not that she’s going to cut him any slack; he’s still her dorky little brother whose only saving grace is that he shares her taste in music, specifically the punk-rock bands of the late ’70s and ’80s. Francis doesn’t quite know what to do about the whole moment-of-ecstasy thing, either, so he and Clare, the unsentimental, wise-cracking narrator of this family’s story, just go on with their day-to-day lives, which include ragging on their Catholic activist parents, cadging under-age admittance to music clubs and going to Sunday mass. Years pass. Both kids go to college and then settle in Boston. Their parents move to Central America to continue their missionary work and lecture the hierarchy of the Catholic Church from afar. Clare becomes a hospice nurse. Francis sets up youth groups for the diocese. His musical knowledge and kindness make him a hit. Years pass. Clare gets married, has two kids, wonders if Francis should have become a priest all along, until the day he meets the girl of his dreams, Lourdes, an oncologist at Mass General Hospital. They marry and all’s right with the world until tragedy drives them apart and no amount of prayer or healing masses can change things. About the same time, the Cardinal Francis works for is implicated in a pedophilia scandal, and Francis’s crisis of faith becomes a full-blown hatred for God, a dark night of the soul that can be assuaged only by the rank rage of the punk rock heroes of Clare and Francis’s youth.
How the Ramones (and rock’s original anti-heroes, The Who) save the day, is the pleasing twist to this sweet Nick-Hornby-meets-Graham-Greene tragi-comedy from Halpin (Donorboy, 2004, etc.).Pub Date: Jan. 10, 2006
ISBN: 1-4000-6278-0
Page Count: 224
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2005
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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