by Brendan Simms & Charlie Laderman ‧ RELEASE DATE: Nov. 2, 2021
An excellent argument that America’s WWII began on Dec. 11, 1941.
A meticulous historical account of “five momentous days” at the beginning of World War II.
Congress declared war on Japan the day after the Dec. 7, 1941, attack on Pearl Harbor, but it didn’t declare war on Germany. That was Hitler’s idea, and he declared war on the U.S. on Dec. 11. Most historians argue that this was a terrible decision, but Hitler showed no doubt. Simms and Laderman deliver an insightful account of those five days. As the authors note, few considered Japan a serious military threat, and most experts believed that it had bombed Pearl Harbor at Hitler’s behest. Franklin Roosevelt and Allied leaders continued to consider Germany the major threat. Yet when Roosevelt’s Cabinet met and Secretary of War Henry Stimson urged a declaration of war against Germany, no one supported him, and Roosevelt did not mention Germany in his famous “day of infamy” speech. Always attuned to public opinion, he deferred to powerful opposition to another European war, as embodied by the America First Committee, which had grumpily agreed to fight only Japan. Many histories report that Churchill “slept the sleep of the saved and thankful” after hearing the news of Pearl Harbor. That’s hindsight, write Simms and Laderman, noting how he documented that sentiment later. At the time in Britain, “opinion was split on whether the new Pacific war was good or bad news.” Many, Churchill included, worried that the U.S. would focus on Japan and leave Britain to face Hitler alone—a realistic concern given that the U.S. had immediately suspended its massive lend-lease program. Hitler’s declaration of war solved the problem, and the authors conclude that he did not declare war in ignorance of America’s immense power but because of it. “In late 1941,” they write, “the Führer saw a narrow window of opportunity not to defeat the United States outright but to create a self-sufficient Axis bloc strong enough to withstand it. Otherwise he risked gradual strangulation.”
An excellent argument that America’s WWII began on Dec. 11, 1941.Pub Date: Nov. 2, 2021
ISBN: 978-1-5416-1909-8
Page Count: 528
Publisher: Basic Books
Review Posted Online: Aug. 25, 2021
Kirkus Reviews Issue: Sept. 15, 2021
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by Ernie Pyle ‧ RELEASE DATE: April 26, 2001
The Pulitzer Prize–winning journalist (1900–45) collected his work from WWII in two bestselling volumes, this second published in 1944, a year before Pyle was killed by a sniper’s bullet on Okinawa. In his fine introduction to this new edition, G. Kurt Piehler (History/Univ. of Tennessee at Knoxville) celebrates Pyle’s “dense, descriptive style” and his unusual feel for the quotidian GI experience—a personal and human side to war left out of reporting on generals and their strategies. Though Piehler’s reminder about wartime censorship seems beside the point, his biographical context—Pyle was escaping a troubled marriage—is valuable. Kirkus, at the time, noted the hoopla over Pyle (Pulitzer, hugely popular syndicated column, BOMC hype) and decided it was all worth it: “the book doesn’t let the reader down.” Pyle, of course, captures “the human qualities” of men in combat, but he also provides “an extraordinary sense of the scope of the European war fronts, the variety of services involved, the men and their officers.” Despite Piehler’s current argument that Pyle ignored much of the war (particularly the seamier stuff), Kirkus in 1944 marveled at how much he was able to cover. Back then, we thought, “here’s a book that needs no selling.” Nowadays, a firm push might be needed to renew interest in this classic of modern journalism.
Pub Date: April 26, 2001
ISBN: 0-8032-8768-2
Page Count: 513
Publisher: Univ. of Nebraska
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2001
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by Masha Gessen ‧ RELEASE DATE: June 2, 2020
Gessen is a Suetonius for our time, documenting the death of the old America while holding out slim hope for its restoration.
The National Book Award winner delivers a handbook for an age in which egomania is morphing into autocracy at warp speed.
New Yorker contributor Gessen, an immigrant from what was then the Soviet Union, understands totalitarian systems, especially the ways in which, under totalitarian rule, language is degraded into meaninglessness. Today, writes the author, we are “using the language of political disagreement, judicial procedure, or partisan discussion to describe something that was crushing the system that such terminology was invented to describe.” Against that, Gessen suggests, we now have an administration for which words hold no reality, advancing the idea that “alternative facts” are fine but professing dismay when one calls them lies. The step-by-step degradation of democratic institutions that follows is a modern-day rejoinder to the fact that more than half a dozen years separated the Reichstag fire from World War II. That’s a big buffer of time in which to admit all manner of corruption, and all manner of corruption is what we’ve been seeing: Gessen reminds us about Mick Mulvaney’s accepting handsome gifts from the payday-loan industry he was supposed to regulate and Ben Carson’s attempt to stock his office with a $31,000 dining-room set. Yet corruption’s not the right word, writes the author, since Trump and company are quite open and even boastful about what used to be a matter of shame and duplicity. The real tragedy, it seems, is that they have been so successful in creating what the author calls a “new, smaller American society,” one that willfully excludes the Other. Many writers have chronicled the Trump administration’s missteps and crimes, but few as concisely as Gessen, and her book belongs on the shelf alongside Timothy Snyder’s On Tyranny and Amy Siskind’s The List as a record of how far we have fallen.
Gessen is a Suetonius for our time, documenting the death of the old America while holding out slim hope for its restoration.Pub Date: June 2, 2020
ISBN: 978-0-593-18893-4
Page Count: 240
Publisher: Riverhead
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Masha Gessen photographed by Misha Friedman
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