A delightful adventure with an idealized hero.
A new-adult fantasy novel invokes the magic of sorcery and stories.
Pierce King has everything figured out. At the age of 26, he’s finally landed his dream job at a major Los Angeles publisher, and he’s poised to marry the woman of his dreams. But his life gets completely scrambled when a strange homeless man attacks him with a book and he finds his world consumed by magic. The novel’s oral storytelling style really sells this transition, which might otherwise feel awkward. Instead, the prose delivers the emergence of magic and the shifts between point-of-view characters with a wink and a nod that keep the tale fun and engaging. Pierce knows he has to return the world to normal to stop the chaos—not to mention saving his fiancee from transforming into a troll—but to do that he’ll have to contend with more than a few supernatural challenges and some beings with vested interests in how the magic shakes out. Along the way, Pierce tries to sort through who his friends and enemies are, from Rex, his childhood pet–cum-dragon, and a fastidious rabbit to the vagrant who started it all and a demon who used to be an orca. Finally, Pierce also has to contend with his own relationship with magic, which goes much deeper than the stories he loved as a child or the ones he brings to life now. Walsh’s (The Serpent League, 2019, etc.) book is, ultimately, a charming adventure yarn that will satisfy many readers. Others may take issue with the story’s tendency to idolize Pierce, whether for his past lives in Arthurian legend or the more mundane fact that he goes from an assistant to a department head in one step. In addition, the tale occasionally implies disparaging things about contemporary SF and fantasy stories more committed to themes, deeper meanings, and representation: “The only thing these piles of nonsense could catch are the attention of people who can’t tell fantasy and current affairs apart.” The novel is captivating when it focuses on its own fun but tiring when it eyes the rest of the genre.
A delightful adventure with an idealized hero.Pub Date: March 20, 2018
ISBN: 978-1-64119-166-1
Page Count: 252
Publisher: City Lights Press
Review Posted Online: Nov. 19, 2019
Review Program: Kirkus Indie
BOOK REVIEW
There are unforgettable beauties in this very sexy story.
Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."
Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.
There are unforgettable beauties in this very sexy story.Pub Date: June 12, 2018
ISBN: 978-1-5011-6964-9
Page Count: 352
Publisher: Atria
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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