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IMMORTALE

A delightful adventure with an idealized hero.

A new-adult fantasy novel invokes the magic of sorcery and stories.

Pierce King has everything figured out. At the age of 26, he’s finally landed his dream job at a major Los Angeles publisher, and he’s poised to marry the woman of his dreams. But his life gets completely scrambled when a strange homeless man attacks him with a book and he finds his world consumed by magic. The novel’s oral storytelling style really sells this transition, which might otherwise feel awkward. Instead, the prose delivers the emergence of magic and the shifts between point-of-view characters with a wink and a nod that keep the tale fun and engaging. Pierce knows he has to return the world to normal to stop the chaos—not to mention saving his fiancee from transforming into a troll—but to do that he’ll have to contend with more than a few supernatural challenges and some beings with vested interests in how the magic shakes out. Along the way, Pierce tries to sort through who his friends and enemies are, from Rex, his childhood pet–cum-dragon, and a fastidious rabbit to the vagrant who started it all and a demon who used to be an orca. Finally, Pierce also has to contend with his own relationship with magic, which goes much deeper than the stories he loved as a child or the ones he brings to life now. Walsh’s (The Serpent League, 2019, etc.) book is, ultimately, a charming adventure yarn that will satisfy many readers. Others may take issue with the story’s tendency to idolize Pierce, whether for his past lives in Arthurian legend or the more mundane fact that he goes from an assistant to a department head in one step. In addition, the tale occasionally implies disparaging things about contemporary SF and fantasy stories more committed to themes, deeper meanings, and representation: “The only thing these piles of nonsense could catch are the attention of people who can’t tell fantasy and current affairs apart.” The novel is captivating when it focuses on its own fun but tiring when it eyes the rest of the genre.

A delightful adventure with an idealized hero.

Pub Date: March 20, 2018

ISBN: 978-1-64119-166-1

Page Count: 252

Publisher: City Lights Press

Review Posted Online: Nov. 19, 2019

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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